Even a rich prince can be quite poor sometimes. The noble Don Ramiro finds out about this when his search for a bride takes him to the house of the notoriously penniless Don Magnifico. His daughters don't give the visitor, disguised as a simple servant, a second glance. It's a good thing that Ramiro finds a sympathetic heart in the unloved stepsister Angelina, known as Cenerentola... Gioachino Rossini composed some of his most beautiful melodies for his turbulent musical theater version of the charming “Cinderella”. Jean-Pierre Ponnelle's legendary production, which has been enchanting audiences since 1974, is as effervescently cheerful as Rossini's light-hearted score.

Cinderella

German Oper am Rhein

The spirit summons the forgotten voice of María through a crack in the pavement and tells her story. She was born on a day when God was drunk. “I am María ... María Tango, María of the suburbs, María Night, María fatal passion, María of love for Buenos Aires am I!” - Searching for happiness, she leaves the suburbs, glows, gets high and plays, sells herself and, in death, becomes a mystical figure. As a shadow, María wanders through a world of surreal encounters, tracing life backwards from oblivion to birth - until she finds redemption through poetry. On a holy Sunday.

Maria from Buenos Aires

Theater Duisburg

Count Almaviva walks on suitor's feet. The object of his latest desire: Susanna, his wife's chambermaid and fiancée of his valet Figaro. Shortly before the wedding, the young couple has to use all their ingenuity to avoid Susanna's erotic advances from her aristocratic employer - turbulence is inevitable!

The Marriage of Figaro

Cenerentola is poor: the ill will of her stepfamily makes her life difficult. But unlike in fairy tales, her transformation from Cinderella to a beautiful lady whom Prince Ramiro chooses as his wife is part of a turbulent comedy in which wit and disguise play a major role. For the prince also disguises himself in his search for a bride in order to win over the lady of his heart without being recognised. "La Cenerentola" is considered a masterpiece in the field of opera buffa, and to this day its scenic elegance and humour shine in splendid beauty, carried by spiritedly dazzling music

La Cenerentola

Count Almaviva is walking on suitors' feet. He would like to win the heart of the self-confident Rosina if there wasn't one problem: her money-hungry guardian Dr Bartolo has his own plans to marry his wealthy protégé and locks Rosina up. Good advice is expensive and Figaro, the enterprising barber of Seville, is happy to pay for it in hard cash. Figaro uses ludicrous schemes to trick the lovers through all the entanglements into marital bliss. Rossini's turbulent endurance race to the dream wedding is a true opera classic, also thanks to the famous "Figaro" aria.

Il barbiere di Siviglia

A chalk circle, a child in the centre. Each child's arm is pulled by a woman who claims to be the mother. "The right mother will have the right strength," says Prince Pao - it will be the one who lets go of her child so as not to tear it apart. By the time Haitang is able to hold her child in her arms again, she has an odyssey of injustice under her belt. Abandoned, sold, mistreated, slandered and convicted of murder, it is nothing short of a miracle that justice unexpectedly receives strong intercession here.

Jorge Espino

Events

Past events

Apr 26 - Jul 17, 2026

Cinderella · Deutsche Oper am Rhein

Feb 3 - Jul 18, 2026

Maria from Buenos Aires · Deutsche Oper am Rhein

Future and recently performed repertoire

Dandini in Cinderella by Prokofiev

Deutsche Oper am Rhein

Die Stimme eines Payador in María de Buenos Aires by Piazzolla

Deutsche Oper am Rhein

Count Almaviva in The Marriage of Figaro by Mozart

Deutsche Oper am Rhein

Dandini in Cinderella by Rossini

Deutsche Oper am Rhein

Tschao, Sekretär bei Gericht in Der Kreidekreis by Zemlinsky

Deutsche Oper am Rhein

About

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