Dr. Arnold and Emma Bahlmann, DIBAG Industriebau AG, Rolf and Caroli Dienst, Vera and Volker Doppelfeld-Stiftung, Dr. Dierk and Veronika Ernst, Monika and Karl Ertl, Christa Fassbender, Dr. Joachim Feldges, Friends of the Nationaltheater, Dietlinde and Carl-Peter Forster, Oliver and Claudia Götz, Regina Hesselberger, Stefan and Maria Holzhey, Dirk and Marlene Ippen, Christine and Marco Janezic, Dr. Hans-Dieter Koch and Silvie Katalin Varga, Christof Lamberts, LfA Förderbank Bayern, Christiane Link, The Opera Foundation, A+Olivia Rogowski, Schwarz Foundation, Dr. Martin Steinmeyer, Georg and Swantje von Werz, Oliver and Kaori Zipse

Passion Concert

Allerheiligen-Hofkirche

In Leoš Janáček’s opera, Kát’a Kabanová, the eponymous heroine is ensnared at the heart of an ominous mesh of relations. Her domineering mother-in-law, Kabanicha, oppresses and controls her son Tichon, whose marriage to Kát’a suffers massively from heteronomy. Because Kát’a finds no fulfilment in this family, she flees and fulfils her unsatisfied erotic desires in an affair with Boris. As composer and librettist, Janáček bundles the plot of the literary template, Alexander N. Ostrovsky’s drama, The Storm. The libretto largely dispenses with the portrayal of the external social circumstances, from whence Kát’a’s essence and choices are decisively determined. Instead, Janáček traces the development of the title character in a psychological-sensitive musical language. Kát’a’s feelings of guilt increase continuously until they discharge into a public confession as an emotional storm. The turbulent and in places fanciful music opens the space for passages of lyrical grace and allows us to experience the essence of the characters. In Kát’a, director Krzysztof Warlikowski sees an outsider, who is denied a life in harmony with her desires, and at the end prefers death over lies. The destructive power of religion behind it all is not only found in a small Russian town on the banks of the Volga in the 1860s, where the libretto places the plot, but rather can also be seen everywhere all over the world.

Elene Gvritishvili

Events

Upcoming events

Mar 15, 2025

Passion Concert · Bayerisches Staatsorchester

Mar 17 - Jul 7, 2025

Káťa Kabanová · Bayerische Staatsoper

Future and recently performed repertoire

Singer in The Last Sorrows of the Redeemer by Bach

Bayerisches Staatsorchester

Singer in Trio Sonata in D minor by Bach

Bayerisches Staatsorchester

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