Dramaturge

The Prince of Homburg – a dreamer, nonconformist, hero?

Fehrbellin, 1675: Prince Friedrich dreams he’s an acclaimed victor in battle but is laughed at by everybody. The command goes out before the real fight begins that no-one’s to attack until the electoral prince explicitly orders it. But Homburg high-handedly leads a charge that could lead to victory and is sentenced to death for insubordination ...

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The Prince of Homburg

Oper Frankfurt

Lulu's uniqueness challenges the norm. Is she real, a mythological figure or a figment of men's imagination? Innocent victim or a destructive demon? She's none of these things yet all of them. This feral, vulnerable, creature's struggle with the world, during which she's appropriated and exploited before being murdered, began when she was dragged out of her element.

Lulu

Finding no peace in the world hereafter, Guercœur wishes himself back to earth – to his great love Giselle and his people, who he led to freedom ...

Four deities, Vérité, Bonté, Beauté and Souffrance grant Guercœur’s wish to return to earth, but the world’s moved on: Giselle, who promised to be true to him forever, is having an affair with Guercœur’s pupil Heurtal, who’s kissed goodbye to the ideals of freedom and love and turned into a dictator. The starving populace is divided, resulting in violent riots which threaten the foundations of the fledgling democracy.

Guercœur

Coachman Chapelou gets an offer he can’t refuse, on his wedding day: The intendant of the Royal Opera wants to sign him up for the French King’s »smaller scale entertainments« … How will Chapelou’s newly wedded wife Madeleine react? Does a great singing career beckon the coachman in Paris? Will the bride and groom ever meet again?

Adolphe Adam’s sparkling Opéra comique was an international box office hit after its world premiere in Paris in 1836: People whistled the catchy tunes along streets in European capitals and quoted punchlines from the dialogues in taverns. Even Richard Wagner sometimes hummed the well-known »Postillion song«, with its spectacular high D, when he couldn’t sleep at night. The score of this all but forgotten, masterful comedy, reveals cleverly crafted ensemble and chorus numbers in addition to fiendishly high notes and coloratura.

Mareike Wink

Dramaturge

Events

Upcoming events

Nov 28, 2024

Lulu · Oper Frankfurt

Feb 2, 2025

Guercœur · Oper Frankfurt

Mar 2, 2025

Le postillon de Lonjumeau · Oper Frankfurt

Past events

Sep 22, 2024

The Prince of Homburg · Oper Frankfurt

About

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