Singer

The two closely related powerful women, whose graves now lie right beside each other in London’s Westminster Abbey, were “Of One Blood”, so of the same blood. Both were of course as conceivably far apart as possible during their lives. Elizabeth I ruled for almost half a century as Queen of England and Ireland, while Mary Stuart reigned over Scotland for a quarter of a century. A bitter power struggle between the Protestant hegemony and the Catholic opposition and ultimately the pressure of parliament forced the English Queen to have Mary Stuart executed.

Of One Blood

Max-Joseph-Platz

With his poetic opera The Cunning Little Vixen, Leoš Janáček brought nothing less than the eternal cycle of becoming and passing to the stage. It tells the life story of the young, rebellious vixen Bystrouška, or Sharp Ears, who is captured by the forester and starts a revolution at his homestead before she succeeds in escaping. Back in the freedom of the forest, she founds a family with a fox and is then shot by a poacher. The seemingly so civilized human world looks wistfully at wild nature, which follows its own laws of life and love.

Das schlaue Füchslein

Bebelplatz

The Peri - an angelic mythical creature. Fallen from paradise and thrown into the world, she is denied a return to heaven. It takes three attempts before the gates open for her again: It takes more than the drop of blood of a young man, martyred in war, and the last sigh of a girl who died because she did not want to leave her lover, who was sick with the plague, alone. Only the last gift, the tear of an old man who bitterly regrets his own life's sins at the sight of a child, will enable Peri to enter the kingdom of heaven. Robert Schumann's secular oratorio Paradise and the Peri is based on the oriental epic poem by the Irish poet Thomas Moore. In Hamburg, the Persian myth narrative becomes a panopticon of the very recent past.

EPSG:4326

Paradise and the Peri

Staatsoper Hamburg

“Chi è morto, voi o il vecchio?,” jokes the servant Leporello cryptically, after Don Giovanni has murdered “Il Commendatore”. The story of the “punished debauchee” has long since been the stuff of myth. Don Giovanni plays out in a field of tension between heaven and hell, as opposites collide in this dramma giocoso, set among amorous desires and the fall of angels. In this kaleidoscope of situations and characters, there is an absolute absence of clarity, evident alone in the fact that each of these characters lies – either to each other or to themselves. The timeless comedy motifs of role and dress change assume an oppressive ambiguity here. The master of transformation Don Giovanni, this polyerotic hedonist, is hard to fathom. In endless metamorphoses, he appears just as suddenly as he then immediately disappears again. The other characters know – they need him, as a mirror of themselves. And so for Leporello it becomes clear after his master’s death that Don Giovanni leads an eternal life and will affect ours again and again. This Don Giovanni now completes the Da Ponte cycle. “Faust” winner David Hermann stages at the Bayerische Staatsoper for the first time. General Music Director Vladimir Jurowski conducts the piece, in which Mozart threw open the doors to a new world, from which there can be no return.

Don Giovanni

Violetta is the most sought-after courtesan of the Parisian demimonde. However, her encounter with Alfredo makes her pleasure-seeking life seem questionable: they fall in love and try to build a life for themselves, far from the fast pleasures of the city. Her past, however, catches up with Violetta. Alfredo’s father persuades her that a separation is the only way to restore his family honour. Alfredo, unaware of the true reasons for her decision, insults Violetta in public. When they are finally reunited, Violetta has run out of time.

Soprano

Vera-Lotte Boecker

Events

Past events

May 10 - Jun 29, 2026

Of One Blood · Bayerische Staatsoper

Feb 28 - Mar 15, 2026

Das schlaue Füchslein · Staatsoper Berlin

Future and recently performed repertoire

Violetta Valery in La traviata by Verdi

Staatsoper Hamburg

Füchslein Schlaukopf in The Cunning Little Vixen by Janáček

Staatsoper Berlin

Peri in Paradise and the Peri by Schumann

Staatsoper Hamburg

Mary Stuart in Of One Blood by Dean

Bayerische Staatsoper

About

Vera-Lotte Boecker hasn't added a bio