Singer

»If I survived, and others didn’t, then it was probably to attest to what Auschwitz was.« Said Zofia Posmysz, explaining why she wrote her novel The (female) Passenger. Polish composer Mieczyslaw Weinberg, who suffered under the brutality of the SS as well as Stalin’s reign of terror, found a guardian and supporter in Dmitri Shostakovich. It was he who suggested he turn Posmysz' novel into an opera. Director Anselm Weber and set designer Katja Haß cleverly managed to depict different times and places – present day and memories: A ship sailing to Brazil in the 1950s. Lisa and her husband Walter are on their way to start a new life when an encounter suddenly confronts Lisa with the past, when she was a KZ guard in Auschwitz. Is the other passenger a former prisoner, Marta? Lisa was convinced she had died but now stands face to face with her. Walter’s dumbfounded and fears for his future as a diplomat – he knew nothing of his wife’s past.

EPSG:4326

The (female) Passenger

Oper Frankfurt

A ruler wracked with guilt, power-greedy conspirators, a fickle people and a monk, who writes history, in the true sense of the word: Boris Godunov is crowned Tsar, to the delight of the people, after Dimitri, legitimate heir to the throne, was murdered. The monk Pimen naming the ruler as the murderer in his chronicles of Russian history inspires the novice Grigori to pass himself off as Dimitri, who escaped with his life after all, and lay claim to the throne, backed by ambitious Marina, Polish Voyevoda's daughter. While Boris struggles with ghosts of the past, the Boyars wonder how to get rid of the new usurper, but the »fake Dimitri« ends up being crowned Tsar.

Boris Godunov

Driven into a corner, disowned by a community who blame him for an accident that killed his apprentice, after the first one died at sea, because they'd run out of water – Peter Grimes is a tragic figure, at the mercy of a narrow-minded rural community’s bigotry. Keith Warner, with a passion for psychodrama, draws a haunting portrait of a fishing community, portraying people thrown together in a claustrophobic world. Ellen Orford finds the jersey she knitted the second apprentice washed up on the beach. With the people baying for Grimes‘ blood, Balstrode, his only friend, tells him to take the boat out, and sink it.

Peter Grimes

Amfortas, leader of the Knights of the Grail, was wounded when he lost the Holy Spear to Klingsor, a wound, that won’t close.

As long as he does his duty and reveals the Grail, Amfortas can’t die. Kundry, a two-faced individual, serves the knights; she procures medicine to alleviate his pain, but it has little effect. Then Parsifal appears, committing sacrilege by shooting down a swan in this hallowed region. Gurnemanz rebukes him, then starts wondering: Could the young hothead be the promised »innocent fool«, who could bring salvation to their community? If so Parsifal would have to become »knowing through compassion« first. He meets Kundry, now a seductive woman, in Klingsor’s magic realm. Can he beat Klingsor and take the speer from him, the only thing that can close Amfortas’ wound?

Parsifal

Finding no peace in the world hereafter, Guercœur wishes himself back to earth – to his great love Giselle and his people, who he led to freedom ...

Four deities, Vérité, Bonté, Beauté and Souffrance grant Guercœur’s wish to return to earth, but the world’s moved on: Giselle, who promised to be true to him forever, is having an affair with Guercœur’s pupil Heurtal, who’s kissed goodbye to the ideals of freedom and love and turned into a dictator. The starving populace is divided, resulting in violent riots which threaten the foundations of the fledgling democracy.

Guercœur

The Prince of Homburg – a dreamer, nonconformist, hero?

Fehrbellin, 1675: Prince Friedrich dreams he’s an acclaimed victor in battle but is laughed at by everybody. The command goes out before the real fight begins that no-one’s to attack until the electoral prince explicitly orders it. But Homburg high-handedly leads a charge that could lead to victory and is sentenced to death for insubordination ...

Mezzo-soprano

Judita Nagyová

Events

Upcoming events

1 - 21 Feb, 2026

The (female) Passenger · Oper Frankfurt

Past events

1 - 21 Feb, 2026

The (female) Passenger · Oper Frankfurt

2 - 26 Nov, 2025

Boris Godunov · Oper Frankfurt

Future and recently performed repertoire

6 Flowermaidens in Parsifal by Wagner

Oper Frankfurt

Mrs Sedley in Peter Grimes by Britten

Oper Frankfurt

Xenia's Nurse in Boris Godunov by Mussorgsky

Oper Frankfurt

Souffrance in Guercœur by Magnard

Oper Frankfurt

3 Ladies-in-waiting in The Prince of Homburg by Henze

Oper Frankfurt

Bronka in The Passenger by Weinberg

Oper Frankfurt

About

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