Costume Designer

Set Designer

A Tsar, wanting to have his photograph taken has no idea he’s surrounded by conspirator’s planning his assassination. And a young woman, who can outsmart anybody – even a King.

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The Tsar wants his Photograph taken / The Clever Woman

Oper Frankfurt

In a brutal world where revenge is enacted with the axe, Klytämnestra has murdered her husband Agamemnon. Their daughter Elektra is consumed by her grief and is fixated on vengeance against her mother. Justice must be served.

San Francisco Opera’s production, praised by the San Francisco Chronicle as “extraordinary” and “stunning,” brings us to a modern-day museum and an exhibit on Elektra. A young woman grappling with her own life is pulled into the ancient narrative in this ingenious production by Keith Warner—a taut psychological thriller in which the past and the present become one.

Music Director Eun Sun Kim conducts Richard Strauss’ expressionist masterpiece, replete with one of the largest orchestras in the repertoire. The intense emotions of this Greek tragedy are rendered on a vast scale by Strauss’ massive soundscape and a score that winds up the dramatic tension with an intensity that can only lead to one horrific outcome.

Elektra

War Memorial Opera House

A ruler wracked with guilt, power-greedy conspirators, a fickle people and a monk, who writes history, in the true sense of the word: Boris Godunov is crowned Tsar, to the delight of the people, after Dimitri, legitimate heir to the throne, was murdered. The monk Pimen naming the ruler as the murderer in his chronicles of Russian history inspires the novice Grigori to pass himself off as Dimitri, who escaped with his life after all, and lay claim to the throne, backed by ambitious Marina, Polish Voyevoda's daughter. While Boris struggles with ghosts of the past, the Boyars wonder how to get rid of the new usurper, but the »fake Dimitri« ends up being crowned Tsar.

Boris Godunov

They meet on an island where they become aware of the power of magic and the magic of power.

Handel gave the world a magic opera, and one of his best, in 1735 - about love, manipulation and real, or pretend, feelings on Alcina’s island. What makes his characters in this moving story so special? Their (erroneous) paths, obsessions, vows of love, highly emotional confusion or their vulnerability?

Alcina

The fifth opera written in Handel’s new home, London, Amadigi di Gaula, is an exuberantly inventive work with brilliant musical ideas full of youth, love and magic. The sorceress Melissa loves the knight Amadigi. But he loves Oriana, who in turn is coveted by Amadigi’s friend and rival Dardano. The four figures stumble around in a labyrinth of deceptive images and feelings and run the risk of losing not only their way, but above all themselves. Hurt and filled with hate, Melissa uses all her magical powers to destroy the inclination of Amadigi and Oriana for one another. She plots, lies, begs, flatters and threatens death and torture. But love is victorious in the end.

Amadigi di Gaula

The Opera Halle

Doctor Krautmann and Stössel, the pharmacist, are deadly enemies. That their children have fallen in love, doesn’t help matters at all ...

These fathers are German counterparts to Cimarosa and Rossini’s funny old men, who steal the show with wit and situation comedy. Even more so than Mozart’s Le nozze di Figaro, Dittersdorf’s Doctor and Pharmacist marks an important turning point in the history in German opera-cum-plays. It resulted in three further commissions for von Dittersdorf, who’s all but forgotten today. This composer, violin virtuoso and contemporary of Mozart was internationally admired, not just in Viennese circles. He combined elements of north German Singspiel in his works with the tradition, wit and vocal virtuosity of Italian opera seria and buffa. He composed light-hearted music which, married to his hearty sense of humour, went down well with audiences. This, his best known work, was commissioned by the Emperor and the manager of the Burgtheater in Vienna, the librettist Johann Gottlieb Stephanie.

Doctor & Pharmacist

Bockenheimer Depot

Coachman Chapelou gets an offer he can’t refuse, on his wedding day: The intendant of the Royal Opera wants to sign him up for the French King’s »smaller scale entertainments« … How will Chapelou’s newly wedded wife Madeleine react? Does a great singing career beckon the coachman in Paris? Will the bride and groom ever meet again?

Adolphe Adam’s sparkling Opéra comique was an international box office hit after its world premiere in Paris in 1836: People whistled the catchy tunes along streets in European capitals and quoted punchlines from the dialogues in taverns. Even Richard Wagner sometimes hummed the well-known »Postillion song«, with its spectacular high D, when he couldn’t sleep at night. The score of this all but forgotten, masterful comedy, reveals cleverly crafted ensemble and chorus numbers in addition to fiendishly high notes and coloratura.

Le postillon de Lonjumeau

Endgame, game over. With four characters. Hamm and his servants Clov. Hamm’s parents Nagg and Nell. A play with rules, rituals, memories, and words. Words that are sung, which has only been rarely done with Samuel Beckett’s texts. György Kurtág’s opera Fin de partie is the only full-length setting of one of his plays.

End of game

Bebelplatz

In order to win her, however, Walther must satisfy the strict rules of the Meistersinger. He is in danger of failing in the singing competition, but Sachs cleverly supports him. Walther finally wins over the guild with a novel, inspired song. He wins Eva, while Sachs pleads for moderation, art and a sense of community.

Costume Designer, Set Designer

Kaspar Glarner

Events

Upcoming events

6 - 16 May, 2027

Die Meistersinger von Nürnberg · Wiener Staatsoper

Past events

14 - 27 Jun, 2026

The Tsar wants his Photograph taken / The Clever Woman · Oper Frankfurt

7 - 27 Jun, 2026

Elektra · San Francisco Opera

About

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