A war injury forced the talented conductor André Caplet to give up his post as musical director at the Paris Opera. The musician, born in Le Havre in 1878, soon devoted himself solely to composition. As a student of Claude Debussy, he overcame the impressionism demanded by his teacher and moved closer to the avant-garde - for example, by composing for the modern concert harp. In 1919, Caplet wrote a "Fantastic Tale" for harp and string quartet, inspired by Edgar Allan Poe's story "The Masque of the Red Death". The work musically captures the dark and ghostly atmosphere of the story and processes his own war expeiences.

4th Chamber Evening

Semperoper Dresden

It was by no means just a chamber music appendage in an academy that included major orchestral works such as the C major piano concerto and the Symphony No. 1. When Beethoven presented new works for the first time on his own account in Vienna on April 2, 1800, the E-flat major septet was the longest item on the program. In his letter to the publisher, the composer pointed out that it was a work for seven full voices and not just a string quartet that could be supplemented by wind instruments. The septet became Beethoven's most popular work during his lifetime: it was not only played frequently, but also appeared in countless more or less authorized arrangements.

Marcello Enna

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