“Lie to me, I promise, I’ll believe”. Is a seducer always a cheat? Or is he himself being cheated on in return? Don Giovanni is the incarnation of the irresistible lover; a man who lightheartedly rushes from one conquest to another, who refuses to submit to any kind of moral claims on his person and who pays for his freedom with an incapability of forming an honest relationship with a woman or another person. Even his numerous mistresses are not really in love with Don Giovanni himself, but only make use of him as a mirrored image to project their own different needs.

Don Giovanni

Stuttgart Opera

A motley group of travellers on their way to Reims for the coronation of Charles X is billeted in the Hotel zur Goldenen Lilie. But when it transpires that no fresh horses are available for the stage coach, they realise they’re stranded.

The journey to Reims

Deutsche Oper Berlin

The festive opera night lasts approx. 2 hours without an interval. After the stage programme, the opera will remain open: With music, culinary offerings and artistic interventions, you can experience a unique "Night at the Opera".

Festive opera night for the German Aids Foundation

«Free she was born, free she will die»: To preserve her freedom, Carmen even accepts her own death. With her uncompromising will to autonomy, she shattered the moral conventions of her time. This sets her apart from the many passive, self-sacrificing female characters of 19th-century opera – once a scandalous figure, later a figure of identification, always a large screen onto which audiences project their own feelings. Director Ole Anders Tandberg takes up these ambivalences and works with iconic images: the bright red flamenco dress, the torero costume and the bullring. But these symbols are not left uncommented upon; instead, they are exaggerated to the point of the grotesque and the macabre. An emotional rollercoaster ride with catchy tunes like the Habanera and the Toreador Song that will linger long in memory. Argentinian conductor Alejo Pérez, General Music Director of Teatro Colón in Buenos Aires, makes his debut at Deutsche Oper Berlin. Gaëlle Arquez brings charm and sophistication to the French Carmen, and later our new ensemble member Kristina Stanek introduces herself as the new Berlin Carmen.

Carmen

At its premiere in Turin in 1896, La bohème was met with scepticism. Only after further performances in several Italian cities did it achieve the success that quickly brought Puccini and his librettist international fame. With their first collaboration, based on Henri Murger’s novel Scènes de la vie de bohème, the trio created the epitome of the romantic love story on the operatic stage. Puccini gave the story of a group of young people, their joys and tragically ending passions, a richly coloured score that includes some of the most famous arias and duets in music history. Götz Friedrich’s production, set against a timeless backdrop, spans from the intimate artist’s apartment to the expansive spectacle in the Latin Quarter. The perfect accompaniment to the festive season! With the very young Juliana Grigoryan and later the charismatic Corinne Winters, two of the most heartfelt Puccini singers appear in the role of Mimì. Don't forget your tissues!

La bohème

E. T. A. Hoffmann called Don Giovanni «the opera of all operas.» The philosopher Søren Kierkegaard even included the piece in his major work, where the title character is described as „the incarnation of the genius of all that is sensual.” Don Giovanni is variously seen as an erotic womanizer or a ruthless lecher, as Dionysus incarnate or a contemptible sex offender. In Roland Schwab’s production, too, he appears fragmented. Driven by an insatiable desire for more, he staggers between revelry, orgies of violence and ascetic withdrawal. After great success with this production, Davide Luciano returns as Don Giovanni and Tommaso Barea as his cynical servant Leporello. Olga Peretyatko makes her debut at our theatre as Donna Elvira. Stefano Montanari will conduct this revival in his usual field, before presenting himself from a completely different perspective with the premiere of Otello.

The Chinese princess Turandot refuses marriage and demonstrates this with a gruesome ritual: Every suitor who fails to solve her three riddles is beheaded. This brutal cycle continues until Calaf breaks it. With his last, unfinished opera, Turandot, Giacomo Puccini created an unparalleled score that went beyond the famous «Nessun dorma.» To depict a fantastical, fairytale China, he blended traditional Chinese music, pentatonic scales, unusual timbres and stark dissonances into a soundscape that oscillates between lyrical delicacy and brutal force. Franco Alfano completed the opera and wrote an unusually conciliatory ending for Puccini, which is countered in this production by Lorenzo Fioroni: In a timeless state reminiscent of contemporary military dictatorships, brutality and trauma remain omnipresent. Camilla Nylund, known for her incomparable Wagner and Strauss portraits, can be seen here in the challenging title role in the Italian repertoire.

Martina Russomanno

Events

Upcoming events

Oct 4, 2026 - Mar 12, 2027

Carmen · Deutsche Oper Berlin

Dec 11, 2026 - May 26, 2027

La bohème · Deutsche Oper Berlin

14 - 28 Mar, 2027

Don Giovanni · Deutsche Oper Berlin

1 - 11 May, 2027

Turandot · Deutsche Oper Berlin

Past events

Dec 4, 2025 - Feb 5, 2026

Don Giovanni · Staatsoper Stuttgart

Dec 27, 2024 - Jan 6, 2025

The journey to Reims · Deutsche Oper Berlin

Future and recently performed repertoire

Liù in Turandot by Puccini

Deutsche Oper Berlin

Donna Anna in Don Giovanni by Mozart

Staatsoper Stuttgart

Singer in Semiramide by Rossini

Deutsche Oper Berlin

Musetta in La bohème by Puccini

Deutsche Oper Berlin

Micaëla in Carmen by Bizet

Deutsche Oper Berlin

Donna Anna in Don Giovanni by Mozart

Deutsche Oper Berlin

Madama Cortese in Il viaggio a Reims by Rossini

Deutsche Oper Berlin

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