Three men vie for the love of Elvira: her lover Ernani, Don Carlo, the King of Spain, and Silva, Elvira's wealthy guardian to whom she is betrothed. When Carlo is to be elected as Emperor in Aachen, Silva and Ernani are also among the conspirators. However, the assassination attempt fails, Carlo is elected Emperor Charles V, and wants to punish the conspirators. At Elvira's request, however, he pardons both and ultimately accepts the love between her and Ernani. But the happy ending does not last long, as Silva seeks revenge on Ernani... With ERNANI, Verdi created a gripping drama of power, love, and jealousy based on Victor Hugo's model, using a historical event as the occasion: the coronation of Charles V as Emperor in Aachen Cathedral in 1520. For Verdi, the shocking impact of the plot took precedence over its dramaturgical credibility. The world premiere of ERNANI on 9 March 1844 at the Teatro La Fenice in Venice was an immediate triumph for Verdi. After the successes of NABUCCO and I LOMBARDI, this was to be Verdi's definitive breakthrough as a composer. The work quickly spread across Italian stages and was soon performed in London, Paris and Berlin. In the 19th century, ERNANI was one of the most frequently performed operas by Giuseppe Verdi. While the work is still largely bound to convention in its formal structure, the music possesses a previously unheard dramatic force - with choruses that already foreshadow IL TROVATORE, with finely crafted ensembles, with arias full of exceptional cantabile quality, and with gripping, dramatic finales. The conspirators’ chorus from Act III, incidentally, became - even more than “Va pensiero” - the leitmotif of the Italian “Risorgimento”, the national unification movement of Italy. This early work of Verdi, rarely performed today, is now experiencing a concert performance in Cologne under the baton of Giuliano Carella.

EPSG:4326

Ernani

Cologne Opera

On some full moon nights, a sinister storm rages through the Wolf's Gorge. For here, in the middle of the forest, free bullets are cast. With the help of these special bullets, every shot hits its mark, even if one cannot actually shoot. And Max urgently needs such free bullets so that he can pass the shooting test and finally be recognized as a member of the community. Otherwise, he will forever be branded as a failure and cannot marry his girlfriend Agathe. To get the free bullets, however, one must enter into a pact with the devil. From Carl Maria von Weber's romantic opera DER FREISCHÜTZ, a music theater is created for people with and without hearing impairment. For the first time, this co-production of the Cologne Opera and the COMEDIA Theater Taube Actors together with singers on stage sets out to explore the question of how music theater can be made more accessible for people with hearing disabilities. Means of accessibility thereby become an aesthetic component of the total work of art: German Sign Language is used equally alongside singing, spoken language and orchestral music. Music and sounds are visualized, and the sense of smell is also engaged. In this way, the story of the Freischütz is staged in such a form that the opera can be experienced with all senses and accessibility for all to this art form is created.

Free Bullets - The Marksman in five dimensions

Comedia Theater

"Oh, what one often hears or reads about naughty children!" Thus begins Wilhelm Busch's famous story about the mischievous brothers Max and Moritz and their pranks. Against cheekiness and schadenfreude, there seems to be no cure, as Wilhelm Busch already lamented, and in the age of social media, there are even more opportunities to torment others and get attention for it.

Max and Moritz

StaatenHaus Hall 2

Stadt Köln

"Oh, what one often has to hear or read about naughty children!" So begins the famous story by Wilhelm Busch about the naughty brothers Max and Moritz and their pranks. Against impudence and schadenfreude, there seems to be basically no remedy, as Wilhelm Busch already lamented, and in times of social media there are plenty of opportunities to harass others and to get attention for it. The Norwegian composer Gisle Kverndokk and librettist Øystein Wiik look with today's perspective and a great treasure trove of musical quotations on the old story and recount seven equally common and amusing pranks, with which Max and Moritz, in cartoon style, annoy the descendants of Widow Bolte, Teacher Lämpel and Tailor Böck. The last prank of the naughty boys is just one too many as today. But: He who laughs last, laughs loudest.

Professor Beelzebub Irrwitzer is a dreadful sorcerer and poisoner, who takes pleasure in causing a lot of destruction in nature. But his devilish client is not at all satisfied with him this year, far too few Evil deeds, finds Maledictus Made, the devilish messenger. Therefore, at midnight, Irrwitzer's time will run out, unless he quickly manages to secure a few more disasters in the world. Now only the satan-archaeo-lying-alcoholic Wish Punch can help him, which at the stroke of midnight turns all good wishes into their opposite. However, Irrwitzer only has half of the parcel containing the recipe; the other half is with his aunt, Tyrannja Vamperl, who happens to be visiting. She has exactly the same problem, and so both are now brewing the highly dangerous Wish Punch. Fortunately, Tomcat Maurizio and Crow Krista recognizes the danger and they jointly take up the fight against the two villains, even though they initially do not like each other at all. But time is running out and the task is difficult...

The Wishing Punch

Fleeing from a snake, Prince Tamino enters the realm of the Queen of the night. Three ladies rescue him and are fascinated by him. As the bird catcher Papageno claims to have defeated the serpent, they punish his boasting and put a lock on his mouth. Tamino receives a picture of Pamina, the abducted daughter of the Queen, immediately falls in love with her and vows to rescue her. With a magic flute and a set of bells, Tamino and Papageno set off and face all dangers.

The Magic Flute

Lurking in the bowels of the Deutsche Oper Berlin is a long-forgotten realm from the dark ages. In this location, a.k.a the set and props depository, the ghosts of King Gunther, Siegfried and Brünhilde are up to no good, ever fighting over who gets to go on stage next. Nothing’s off-limits to Wagner’s offspring when it comes to winning over the audience! And so it goes: murder and mayhem, drama upon drama, day after day. High time for someone to bang some heads together — and do it with humour, too! Wait a sec: humour!? That’s really not something the German crew knows the first thing about. But then Berlin’s underground scene rides to the rescue: a clique of operetta singers will sort it out – but wait: are these hallowed portals really going to host a work of operetta? Whatever would Richard make of it?

Into the ring!

Deutsche Oper Berlin

The stress sets in on the way to school. You’re too late, nobody wants to sit next to you, other students make fun of you and you’re bullied for the clothes you wear. Your grades are poor, your teachers are unfair, you’re worried because your parents are unemployed – or you struggle with memories of war and having to flee from your home, and these memories are still stuck with you.

immmermeeehr

Once upon a time... there was a king who had three children. In the kingdom, the crown had always been passed on to the son or daughter deemed most suitable to rule. A ring served as the symbol of power, which the king must hand over before his death.

The king gives something away

What do we long for when we love? And can another person ever truly recognize our deepest desires – let alone fulfill them?

Hoffmann's Tales

“Such a little fat dachshund has never been seen here before,” Goethe’s mother wrote to her son in 1793 about a performance of DIE ZAUBERFLÖTE (The Magic Flute) – a remark that reflects how Mozart’s Singspiel quickly captivated a wide audience. At once entertaining and sophisticated, the story follows Prince Tamino and Papageno who face a series of trials to rescue the princess Pamina from the clutches of Sarastro. It journey full of dangers, at the end of which lies the hope for a self-determined future together.

From crackling and popping to tapping and ringing – a world of rhythms, sounds, and tones opens up for the very youngest opera audience. In this 30-minute mini opera, babies and toddlers can immerse themselves in a space filled with music together with their caregivers.

Everything that sounds

Glockengasse

Set in London around 1910, the phonetics professor Higgins is convinced that language determines social status. The subject of his wager is the flower girl Eliza Doolittle, whom he intends to transform into a lady of high society. Higgins becomes a kind of Frankenstein of speech: with Eliza, he creates a being whose language and emotions he manipulates. At first driven by his own ambition, the experiment gradually turns as Eliza changes – her self-confidence grows, and she begins to resist Higgins’s control. What starts as an experiment evolves into a story of self-discovery and independence.

My Fair Lady

At night, a fisherman thinks of the nightingale’s song, which makes him forget everything else. When the nightingale appears, it enchants him with its singing. That same night, an imperial delegation is on its way, sent by the Emperor to bring the nightingale to the imperial court. The nightingale accepts the Emperor’s invitation and appears before his throne. The Emperor has never heard anything more beautiful than the nightingale’s song, which makes him forget all his worries.

The nightingale

In a dispute with Fortuna and Virtù over supremacy over humankind, Amor seeks to prove that love alone stands above all else. Thus Poppea rises to become Empress of Rome through Nero's love for her – and yet: “love” is the wrong word. What is at play is an erotic driving force, through which manipulation is carried out ruthlessly and power is exercised. Whoever loves has already lost, and anyone who stands in the way of Poppea's interests is mercilessly cast aside – Nero's wife Ottavia as well as the teacher and philosopher Seneca. With sensuous delight and without remorse, accompanied by some of the most beautiful and passionate music early Baroque opera has to offer, Poppea and Nero revel in their victory.

Ferhat Baday

Events

Upcoming events

Oct 10, 2026 - Jan 2, 2027

The king gives something away · Oper Köln

Nov 28, 2026 - Feb 27, 2027

Hoffmann's Tales · Oper Köln

Dec 13, 2026 - Mar 27, 2027

The Magic Flute · Oper Köln

Jan 23 - Apr 19, 2027

Everything that sounds · Oper Köln

Mar 6 - Jul 7, 2027

My Fair Lady · Oper Köln

Past events

Apr 22 - May 2, 2026

Ernani · Oper Köln

Apr 11 - May 28, 2026

Free Bullets - The Marksman in five dimensions · Oper Köln

Future and recently performed repertoire

Littore / Famigliare III in L'incoronazione di Poppea by Monteverdi

Oper Köln

2. Armored in The Magic Flute by Mozart

Oper Köln

Champion in Ernani by Verdi

Oper Köln

Harry / Lady Boxington in My Fair Lady by Loewe

Oper Köln

Kalli's father in immmermeeehr by Kampe

Deutsche Oper Berlin

Maledictus Made in The Wishing Punch by Naske

Oper Köln

Wilhelm in Hoffmann's Tales by Offenbach

Oper Köln

Bonze in The Nightingale by Stravinsky

Oper Köln

About

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