Director

Dora is in her mid-twenties and stuck in the sheltered surroundings of her family. Though she still has her whole life ahead of her, she suspects that the future has only the same old worn and well-known ideas to offer than before. Dora, the 21st century’s new heroine of opera, meets her present with total rejection and finds herself in aimless search for something different. Bernhard Lang's rhythm-driven music becomes Dora’s accomplice. In his opera about a longing for something radically new, Lang and librettist Frank Witzel playfully mix varying sounds from different musical epochs whilst laying tracks to centuries old characters, myths and stories.

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Dora

The Staatstheater Stuttgart

Katerina Ismailova is wealthily married and lonely, her husband impotent and her father-in-law a tyrant. She is trapped in a world where merciless brutality, despotism and cruelty reign. The woman with a lust for life and love gives way to her raw longing for freedom when Sergei starts working for the Ismailov family. She throws herself into a passionate affair with him and poisons her father-in-law's food. But the increasing radicalism of her desire for self-determination will claim further victims ...

Lady Macbeth von Mzensk

German Oper am Rhein

Your own daughter’s hand as a prize in a singing competition – imagine that! There could hardly be a stronger sign of the belief in the systemic relevance of art. And indeed, goldsmith Veit Pogner, who offers his daughter Eva as a prize, is just one of many masters from Nuremberg for whom their art is more than just a nice-sounding sideline: it is no less than a community-building and society-improving force. In the Meistersinger, we encounter a group of utopians who are not interested in their origins or money, but in innovation and the future. Eva’s own attitude to the whole thing is, as so often, of secondary importance. She already knows who she would like to be sung by and who she would rather not. Wagner initially conceived Die Meistersinger as a comic opera, and so everything ends on a superficially happy note: at the end, Eva’s crush Stolzing wins the competition and the bride – an impoverished squire, of all people. The future comes from the past, not only in terms of the son-in-law’s origins, but also with regard to the end of the utopia: the whole thing culminates in the Meistersinger Hans Sachs, who mentored the Junker Stolzing to victory, being crowned King of Art: “Heil Sachs!” and glory to the holy German art. In Wagner’s works, the monstrous often peeps through the tiniest of cracks. With the Meistersinger, Elisabeth Stöppler and Cornelius Meister also tell a piece of German history and mentality between awakening and restoration and, in this German Midsummer Night's Dream (Elisabeth Stöppler), focus on the relationship between the generations and the question of why what was is perhaps also what will be.

The Mastersingers of Nuremberg

Stuttgart Opera

Elisabeth Stöppler's production of "Stockhausen for Children: Michael's Journey" offers children ages 6 and up, as well as adults, a sensory experience of Karlheinz Stockhausen's cycle "Light," a monumental work of the younger musical avant-garde. Together with Michael, portrayed by a solo trumpet, the audience embarks on a fantastical journey around the world, immersed in the infinite expanses of the universe and rarely heard sounds.

Director

Elisabeth Stöppler

Events

Upcoming events

Feb 7 - Mar 22, 2026

The Mastersingers of Nuremberg · Staatsoper Stuttgart

Apr 11 - May 3, 2026

Stockhausen for children: Michael's journey · Staatsoper Hamburg

Past events

Mar 23 - Apr 8, 2025

Dora · Staatsoper Stuttgart

Feb 17 - May 3, 2025

Lady Macbeth von Mzensk · Deutsche Oper am Rhein

About

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