Two things must be known about Undines, aquatic beings in feminine form; first, they can only attain an immortal soul by marrying an earthly man. Second, if Undine's love is betrayed, she must kill the unfaithful man. When the knight Hugo falls in love with Undine, it seems that happiness is perfect at last, the wedding bells ring, the village rejoices and celebrates. But then Bertalda appears and the lake's water level ominously begins to rise.

Undine

Oper Leipzig

The opera has barely gotten underway before the first death occurs and Don Giovanni is in hot pursuit. But this does not stop the seducer of all seducers from going after the next woman: he adores them all! His wildly colourful exploits sweep him through all social strata, regardless to whether the lady of choice is already involved with someone else. Even if one may have slight doubts when it comes to the total number of his conquests – 1470! – Don Giovanni's appeal amongst women is undeniable. But what exactly is his secret?

Don Giovanni

We've all been there: in hotels, you're always fascinated by people from all over the world and their customs! And when this motley crew find themselves in a tizzy because they all want to go to Paris for the coronation but are prevented from doing so by the transportation system? And when the Hotel zur Goldenen Lilie is run by an excellent proprietor like Madame Cortese, who is determined to make her guests' stay unforgettable, virtuoso, colorful entertainment is guaranteed. Love potions, deft personnel, fainting spells due to a missing hatbox, f librations and misunderstandings culminate in a banquet with international toasts: long live the monarch and long live international understanding!

The Journey to Reims

“And the whole thing ended happily,” wrote Weber about his new opera Der Freischütz to his bride Caroline Brandt in March of 1817. But before everything can end happily ever after in this eerie story about fear of failure, societal constraints, and the individual’s right to happiness, the abyss opens up, and for a moment it seems as though evil will prevail. Max, the young forester, knows that his social standing and romantic prospects are dependent upon his performance at the traditional test of skill in marksmanship. But the only way he sees to pass the test involves a deal with the devil. Kaspar, disillusioned, has already submitted to the devil. And Agathe, betrothed to Max, must ask herself: “Do I leave myself to the hand of Fate?” Troubled, she tries to fight against what she perceives to be her destiny’s inevitability. Like all of the characters in the opera, she believes that her God has a true enemy. Weber created a unique musical context in which his characters’ thoughts and deeds all take place in a religious-demonic world, one that is entangled with the dark powers

Der Freischütz

Conceived as a preliminary evening to Wagner’s interpretation of world mythology, »Das Rheingold« introduces the central themes of this tetralogy: »Only he who renounces the power of love« can form the Rheingold into a ring that promises its bearer power over the world. It is the low E-flat in the strings that gives us the musical manifestation of the idea of a natural primitive state. But once Alberich steals the Rheingold, a chain of events are set in motion: Wotan’s megalomaniacal plan to build a structure representative of gods’ long-lost authority is followed by Alberich’s betrayal at Wotan and Loge’s hand and Alberich’s subsequent curse. The murder of Fasolt by his brother Fafner ensues. Not even Erda, with her wisdom and warning, can stop the chain of events from unfurling.

Das Rheingold

La Traviata is the final work in the Trilogia Popolare, Verdi’s trio of masterpieces written between 1850-52. Once again, he was inspired by an outsider: after the jester in Rigoletto and the gypsy Azucena in Il Trovatore, the courtesan Violetta Valéry -- a woman whose charm surpasses her predecessors -- takes center stage here. The Parisian demimonde is the setting for the story of the unconditional and hopeless love between Alfredo Germont and the terminally ill Violetta. From the very beginning, their love is threatened not only by death, but also by the norms of the society and the honor of a family.

La Traviata

The brave knight Amadis is held responsible for the disappearance of the brother of Arcabonne and Arcalaus. The two use their magical powers and mobilize the demonic underworld to lure Amadis into their realm and defeat him once and for all. Suddenly, nothing is as it seems: Amadis is abandoned in the forest by his beloved Princess Oriane and held captive in Arcalau's secret laboratory. All seems lost... but fortunately the powers of heaven have something to say about it.

Amadis, the Knight

Welcome to the mysterious fairy-tale world of the »Magic Flute«! Even the names of the characters sound magical and remind us of our first visits to the opera: Tamino, Pamina, Papageno, Sarastro … Hardly any other work of opera literature includes so many contradictory elements, so harmoniously combined into a coherent entity by Mozart's music . Is his arguably most popular opera an adventure story about growing up? A parable of wisdom, philosophy and friendship? Is it simply about staying true to oneself, like the bird catcher Papageno? He accompanies Prince Tamino, who has fallen in love with a picture of the kidnapped Pamina and plans to free her. We are reminded that the world cannot always be divided into good and evil: the Queen of the Night and Sarastro illustrate this to us through their quarrel over Pamina. On our journey we are also accompanied by three ladies, three boys, a glockenspiel, and a flute that tames even the wildest animals.

Sarah Traubel

Events

Past events

May 18 - Jun 8, 2025

Undine · Oper Leipzig

Apr 4 - Jun 21, 2025

Don Giovanni · Oper Leipzig

Future and recently performed repertoire

Agathe in Der Freischütz by Weber

Oper Leipzig

1. Dame in The Magic Flute by Mozart

Oper Leipzig

Violetta Valery in La traviata by Verdi

Oper Leipzig

Freia in Das Rheingold by Wagner

Oper Leipzig

Donna Anna in Don Giovanni by Mozart

Oper Leipzig

Undine in Undine by Dvořák

Oper Leipzig

About

Sarah Traubel hasn't added a bio