As a punishment for lacking compassion, the writer «Ich» (or «I») is forced to take in an idiot at home. This seems like an easy task: «Ich» sets out to choose his idiot and is quite pleased with himself and his willingness to host a «holy fool». The idiot seems to fit obediently into the lives of «Ich» and his wife, except for the fact that he barely speaks—aside from an occasional «Äch!», he doesn't say a word. But when the idiot suddenly, and without warning, defecates on the carpet one day, an uncontrollable spiral of violence, sex, and anarchy begins. Alfred Schnittke's opera Leben mit einem Idioten premiered in Amsterdam in 1992. The titular idiot was quickly interpreted as a caricature of Lenin, and the absurd, grotesque story as a biting parody of everyday life in the Soviet Union. However, the composer himself pointed out that his opera is 'by no means solely about Communism' but more broadly about a condition in which «the irrational dominates the rational». Thus, director Kirill Serebrennikov will bring the piece to the stage as the dystopian, contemporary story of a couple whose idiot becomes the catalyst for their already toxic relationship—a catalyst that brings the darkest, most destructive urges of human nature to the surface, along with an inclination for aggression and violence. Schnittke’s music, which combines quotes from Bach’s Matthäus-Passion, the Communist Internationale, a folk song about a birch tree, a tango from the 1930s, and further echoes of Chopin, Mahler, Shostakovich, and others in a polystylistic collage technique, has great potential for wit and irony, which will unfold under the direction of Jonathan Stockhammer with the Philharmonia Zurich. Susanne Elmark, Bo Skovhus, and the Zurich Opera Chorus, who will be on stage throughout the evening, take on the enormous challenges of their roles.

Tatiana Dolmatovskaya

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Nov 29 - Dec 1, 2024

Leben mit einem Idioten · Opernhaus Zürich

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