From a deep E-flat major chord, time and space are lifted, and on the waves of the Rhine, a world unfolds with gods, dwarves, giants and creatures of nature. However, the paradisiacal primordial state does not last long: After the Nibelung Alberich is spurned by the Rhinemaidens, he decides to renounce love forever and seize the gold from the depths of the Rhine. From this, he now forges a ring that grants him world power. But the father of the gods, Wotan, also wants to possess the ring. With the help of the fire god Loge, he actually succeeds in stealing the ring from Alberich. However, Alberich curses the ring: Misfortune shall befall its owner - a prophecy that will soon be fulfilled for the first, but not the last time. Richard Wagner created with DER RING DES NIBELUNGEN a parable about the origin and end of the world and realised his radical idea of a total work of art, in which text, music and stage action form a symbiosis. Wagner's endless melody and his leitmotif technique, which he had already developed in DER FLIEGENDE HOLLÄNDER and LOHENGRIN, reach an as yet unprecedented complexity in THE RING. With the creation of the RING tetralogy, Wagner also solidified the plan for his own festival theatre as a venue. At the request of his patron King Ludwig II, the premiere of RHEINGOLD took place on 22 September 1869 at the National Theatre of Munich. The audience, which was largely composed of professionals and art connoisseurs who had travelled from afar, expressed enthusiastic applause. Wagner's vision of performing the entire DER RING DES NIBELUNGEN  in his own festival theatre finally became a reality in 1876 in Bayreuth. Director Paul-Georg Dittrich, who has already introduced himself to Cologne with his production of DER ZWERG, will stage a new RING. In RHEINGOLD, he embarks on a search for the childlike origin of the world. What happens when free, yet unencumbered imagination is instrumentalised in a power-obsessed society? The musical direction is under the internationally sought-after conductor Marc Albrecht, who returns to the podium of the Gürzenich Orchestra after DIE FRAU OHNE SCHATTEN.

The Rhinegold

Cologne Opera

Professor Beelzebub Irrwitzer is a dreadful sorcerer and poisoner, who takes pleasure in causing a lot of destruction in nature. But his devilish client is not at all satisfied with him this year, far too few Evil deeds, finds Maledictus Made, the devilish messenger. Therefore, at midnight, Irrwitzer's time will run out, unless he quickly manages to secure a few more disasters in the world. Now only the satan-archaeo-lying-alcoholic Wish Punch can help him, which at the stroke of midnight turns all good wishes into their opposite. However, Irrwitzer only has half of the parcel containing the recipe; the other half is with his aunt, Tyrannja Vamperl, who happens to be visiting. She has exactly the same problem, and so both are now brewing the highly dangerous Wish Punch. Fortunately, Tomcat Maurizio and Crow Krista recognizes the danger and they jointly take up the fight against the two villains, even though they initially do not like each other at all. But time is running out and the task is difficult...

The Wishing Punch

Fleeing from a snake, Prince Tamino enters the realm of the Queen of the night. Three ladies rescue him and are fascinated by him. As the bird catcher Papageno claims to have defeated the serpent, they punish his boasting and put a lock on his mouth. Tamino receives a picture of Pamina, the abducted daughter of the Queen, immediately falls in love with her and vows to rescue her. With a magic flute and a set of bells, Tamino and Papageno set off and face all dangers.

The Magic Flute

Carmen is independent and won’t let anyone take her freedom. She makes her own decisions - nobody else! Carmen loves life. She lives entirely in the present, not in the past or the future. Carmen’s love has wings: when she loves someone, it is for precisely that moment and not for all eternity - her interest might turn to someone else the very next moment. Carmen quarrels and fights, she doesn’t shy away from the criminal milieu either, because property or standards of any kind don’t exist for her.

EPSG:4326

Carmen

Staatenhaus Köln

A musical veneration of Mother Earth and Mother Mary: Bob Ingalls' urgent symphonic plea for the protection of Mother Earth, "Mother Earth Cries Out!", culminates in Dvořák's powerful setting of the Stabat Mater as a prayer to the grieving Mother of God.

Gürzenich Choir Cologne

Museum Ludwig

Die Rheinische In Cologne Choir Concert

Stadthalle Mülheim an der Ruhr

Today marks a joyous day at the castle. Finally, the wedding of Figaro and Susanna is set to take place, both of whom are in the service of Count Almaviva and are being supported by him. Everything seems perfect - and is, of course, only half the truth. In fact, the Count is after Susanna and tries to play his employees off against each other wherever possible. At the same time, he believes he must keep an eye on his lonely wife, as well as his pubescent nephew Cherubino, who continuously puts him in compromising situations. The longer the crazy day lasts, the less the Count seems to be master in his own house. Only when everyone unites against him are the rules of the game changed. But until that moment arrives, until Figaro and Susanna are finally wed, until the Count and Countess are reconciled, until a genuine plea for forgiveness for wrongful actions is spoken, the most beautiful and profound human comedy in opera unfolds: Mozart’s LE NOZZE DI FIGARO. Here, reason, intrigue, and emotional desire are perfectly balanced when it comes to bringing order to the emotional chaos that has always connected people. For his first Mozart libretto, the librettist Lorenzo da Ponte took on a brand-new and quite delicate drama in 1786, Beaumarchais' French comedy "La folle journée ou Le mariage de Figaro," a critical reflection of the conditions in the Ancien Régime. Mozart embraced the revolutionary idea, after all, he had just settled in Vienna as a free artist, and had a clear vision of how he wanted to live as a citizen in a still feudal world. Far more important, however, are the love and respect that his music shows to every single character on stage, as Mozart ensures that each and every one - whether young or old, privileged or less privileged - receives their due. Mozart's masterful ensemble piece conducted by General Music Director Andrés Orozco-Estrada. Katharina Thoma, already known in Cologne for DIE FRAU OHNE SCHATTEN, directs this musical comedy that never goes out of style

Le Nozze di Figaro

The Chinese princess Turandot is obliged to marry only the man who solves her three riddles - a vow that has already cost countless princes their lives. Anyone who fails will be executed that very night. However, when Calaf, a Tartar Prince, sees Turandot, he cannot resist her enigmatic beauty. He solves the tasks, but the princess refuses the marriage. Calaf turns the game round: In order to avoid the marriage, Turandot must discover his name before dawn - a task that pushes everyone to their limits. The aria "Nessun dorma" marks the opera's dramatic climax. But after the naming of the name, "Love", Puccini's last work ends with the note "e poi "Tristano" - "and then Tristan". The opulent production by Lydia Steier ("Director of the Year" 2024) makes this work into an opera experience full of suspense, passion, and spectacle. Felix Bender assumes the Musical Direction once again.

Lucas Singer

Events

Upcoming events

Oct 25 - Dec 28, 2025

The Wishing Punch · Oper Köln

1 - 28 Mar, 2026

Le Nozze di Figaro · Oper Köln

May 21 - Jun 7, 2026

Turandot · Oper Köln

Past events

Oct 26 - Nov 16, 2025

The Rhinegold · Oper Köln

Oct 25 - Dec 28, 2025

The Wishing Punch · Oper Köln

Future and recently performed repertoire

Timur in Turandot by Puccini

Oper Köln

Sarastro in The Magic Flute by Mozart

Oper Köln

Singer in Stabat Mater by Dvořák

Kölner Philharmonie

Bartolo in The Marriage of Figaro by Mozart

Oper Köln

Fafner in Das Rheingold by Wagner

Oper Köln

Singer in Mother Earth cries out! by Ingalls

Kölner Philharmonie

Maledictus Made in The Wishing Punch by Naske

Oper Köln

About

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