Dramaturge

Magda leaves her wealthy patron when she meets the young Ruggero. But the feeling of first love cannot be relived. Puccini's "La rondine" (The Swallow), commissioned by Vienna's Carl Theater, is an unusual blend of opera and operetta that puzzled critics: some found it too heavy, others too light. Despite several revisions to the ending, Puccini considered his "problem child" a gem that remains rarely performed to this day. Christof Loy directs this work as an impressive rediscovery. Marco Armiliato conducts.

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La rondine

Opernhaus Zürich

"The Magic Flute" is one of the most enigmatic masterpieces in the history of opera. Mozart's last opera transports the listener to a world of magic, trials, and mysterious symbols, telling a story of the search for inner strength, maturity, and the overcoming of fears. Between light and shadow, a universal interplay of human experiences unfolds – carried by Mozart's profound music and its compelling appeal to humanity. The new production is directed by Daniele Finzi Pasca from Ticino, whose poetic stage language uniquely blends theater, acrobatics, and circus. 

The Magic Flute

A coup attempt and his best friend a conspirator – yet Tito would rather relinquish his throne than base his power on fear and terror. "La clemenza di Tito" is a work that poses timeless questions about the use of power, guilt, and forgiveness. Mozart's late opera seria contains some of his most fascinating arias and ensembles. The rising tenor Giovanni Sala sings Tito, while Cecilia Bartoli interprets Sesto, one of her signature roles. The historically informed Orchestra La Scintilla performs under the direction of Gianluca Capuano.

La clemenza di Tito

An attempted coup is uncovered, and his best friend is a conspirator – but Tito would rather renounce his office as ruler than base his power on fear and terror. «La clemenza di Tito» is a work that poses timeless questions about how to deal with power, and about guilt and forgiveness. Wolfgang Amadeus Mozart’s late opera seria contains some of his most beautiful arias and ensembles. Conductor Marc Minkowski returns to Opernhaus Zürich with this new production, as does Italian director Damiano Michieletto.

The clemency of Titus

Zurich Opera House

Cardillac cannot part with his art. The jeweler must kill anyone who buys jewelry from him. E.T.A. Hoffmann’s novella «Das Fräulein von Scuderi», one of the first German detective stories, served as source material for Paul Hindemith. His 1926 opera is a milestone in the development of music theater. A century years after its premiere, theater and filmmaker Kornél Mundruczó stages this thriller about obsessions, control, and self-alienation. 

Cardillac

This opera’s 1875 premiere in Paris caused a scandal, after the title character’s anarchic nature and lustful femininity disturbed the bourgeois audience’s sensibilities. But Bizet’s opera soon began its triumphal march, becoming a myth of modern times. To this day, «Carmen» fascinates audiences with its relentless drama and the elemental power of its melodies. Andreas Homoki’s production pays homage to the place where the opera was created, the Opéra comique in Paris. 

Carmen

Manon wants a life of luxury. Des Grieux, a student, tries to escape his father’s influence, hoping for a freer life with Manon. The uncompromising nature of their wishes becomes the young man’s undoing. «Manon» made Jules Massenet one of France’s leading opera composers of the Belle Époque overnight. Lisette Oropesa is one of the outstanding lyric coloratura sopranos of her generation. French tenor Benjamin Bernheim’s international career began as a member of the International Opernstudio in Zurich.

Manon

When Strauss and Hofmannsthal wrote «Der Rosenkavalier» – setting it in an imaginary Rococo Vienna and yet closely linked to the decadent fin de siècle – they created a profound social comedy. It is not without melancholy that the Marschallin lets her young lover Octavian go when he falls head over heels with Sophie, who hails from Faninal’s bourgeois household. As voluptuous as Strauss' score is, it contains tender moments of dream and melancholy. Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. 

Der Rosenkavalier

Dramma per musica in three acts by Georg Friedrich Händel (1685–1759)
Libretto by Cardinal Vincenzo Grimani



Agrippina

Opera in two acts by Jonathan Dove (*1959) for children from age 7 and up and the eternally young
based on the novel of the same name by Jules Verne, Libretto by Peter Lund
Commission of the Opernhaus Zürich

In 80 Tagen um die Welt

A rant, an epic, and a journey through the dark crawl spaces of the basement and a bleeding uterus

And Hell Is Just a Sauna

Turteatern

Elektra relentlessly invokes the past, her trauma, her burning desire for revenge: Her father Agamemnon, barely back from the Trojan War, is dead, murdered in his bath by her mother Clytemnestra and her lover Aegisthus. Richard Strauss wrote music of piercing power, profound and relentless, which offers no redemption to any of the characters until Elektra's ecstatic final dance. Following her visually stunning production of "Der Rosenkavalier" at the Zurich Opera House, director Lydia Steier now turns her attention to Strauss's dark counterpart. On the podium is the Lausanne-born conductor and designated Zurich General Music Director Lorenzo Viotti. In the demanding title role, Finnish soprano Miina-Liisa Värelä makes her Zurich debut.

Elektra

Péter Eötvös's "Angels in America" ​​transports us to America in the late 1980s – a time when the AIDS epidemic reached its tragic peak. The characters in this episodic drama are united by a profound human need for connection, as well as existential experiences of fear, guilt, and loneliness. At the heart of the story is Prior Walter: terminally ill and abandoned by his partner, he experiences fever dreams that culminate in menacing visions of angels – until, in the end, he finds great inner strength. Despite the serious subject matter, Eötvös's score is imbued with subtle humor; ethereal soundscapes, everyday noises, and Broadway sounds create an almost hypnotic effect. The International Opera Studio presents this extraordinary work as a Swiss premiere. The production is directed by the renowned singer and director Angela Denoke.

Angels in America

Theater Winterthur

The aging and headstrong Don Pasquale dreams of marrying a young woman. But his supposed bride turns out to be a cunning schemer: the self-assured Norina and the shady Dottor Malatesta play a cruel trick on the old man, a blend of comedy and hurt. "Don Pasquale" is one of Gaetano Donizetti's last operas. This dramma buffo showcases the composer's mastery and keen understanding of human nature, written shortly before the tragic end of his life. Director Christof Loy presents Donizetti's classic beyond all buffo clichés, with a subtle, bittersweet touch. The title role is sung by Johannes Martin Kränzle, one of the most distinguished character actors of our time.

Dramaturge

Kathrin Brunner

Events

Upcoming events

Apr 26, 2026 - Mar 21, 2027

La clemenza di Tito · Opernhaus Zürich

Apr 26, 2026 - Mar 21, 2027

La clemenza di Tito · Opernhaus Zürich

Sep 20, 2026 - Apr 23, 2027

The Magic Flute · Opernhaus Zürich

Nov 22 - Dec 16, 2026

Elektra · Opernhaus Zürich

7 - 23 May, 2027

Angels in America · Opernhaus Zürich

Past events

Sep 24 - Oct 15, 2026

La rondine · Opernhaus Zürich

Sep 20, 2026 - Apr 23, 2027

The Magic Flute · Opernhaus Zürich

About

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