Max, the hunter’s apprentice, has to land a direct hit at the upcoming shooting match in order to marry his beloved Agathe. Out of his fear of potential failure, Max gets involved with "dark forces" in the wolf’s canyon: Six sure-fire bullets for his sole use whilst the seventh bullet is reserved for the devil to strike any victim he chooses. Carl Maria von Weber‘s Freischütz, which premiered in 1821, is the epitome of a German romantic opera. Never before have occult, transcendental and supernatural ideas been transformed into music so full of suggestive sounds.

EPSG:4326

Der Freischütz

The Staatstheater Stuttgart

No other version of the popular story where a mermaid falls in love with a human man and has to give up her form and herself for the love she craves, tells so beautifully of the two parallel worlds as Antonín Dvořák's opera Rusalka. And no one knows this world so well as the dazzling drag performers with whom director Bastian Kraft doubles Dvořák's forest and water creatures. They are experts in transformation and beautiful appearances in the spotlight. Through lip-synching, the drag performers make the fairy tale of mermaid and prince their own. Alongside a top-class ensemble of singers, they are on a quest for a life in which who we love and who we are no longer determines whose existence takes place in the light and whose is forced to take place in the dark.

Rusalka

Celebrations are states of exception where everyday life gets transformed. Even at its very beginning the musical form of opera had a close liaison with festivities. But because the once exclusive festive music should now belong to everyone, we invite you to join us for a celebration in the opera house. In his first staging of a music theatre, Eric Gauthier explores the reasons why and how people celebrate. Together with singers, dancers, choir and orchestra, the audience journeys through the various kinds of a lifetime’s festivities. On the playlist: two centuries of vocal and dance music, including unheard rarities.

The Fest

The survival of the Holy Grail’s community is threatened by King Amfortas‘ wound which he received by the magician Klingsor. The only hope that the men have left now is the arrival of a so-called »innocent fool«, who has to become »knowledgeable by empathy«. Parsifal is the chosen one, but is unaware of his appointment as the redeemer of their plight. The seeress Kundry takes it upon her to show him his destiny.

Parsifal

With Gustav Mahler's monumental Eighth Symphony, Cornelius Meister and the State Orchestra continue their Mahler cycle and, together with eight vocal soloists, the children's choir and the State Opera Choir, bring the symphony concert series to a crowning conclusion. Shortly after completing the score, Mahler said in 1907: "The symphony must be like the world. It must encompass everything". This central credo for Mahler is reflected in the variety of forms and musical characters of his Eighth Symphony. Baroque fugue techniques can be found in it as well as a tonal language influenced by Richard Wagner. The first and only two performances during his lifetime were Mahler's greatest triumph. After the premiere in 1910, Thomas Mann commented that Mahler embodied "the most serious and sacred artistic will of our time".

Natasha Te Rupe Wilson

Events

Upcoming events

Feb 15 - Mar 28, 2025

Rusalka · Staatsoper Stuttgart

Feb 22 - Jun 21, 2025

The Fest ·

Apr 6 - May 11, 2025

Parsifal · Staatsoper Stuttgart

13 - 14 Jul, 2025

7. Symphony Concert · Staatsoper Stuttgart

Past events

Sep 18 - Nov 8, 2024

Der Freischütz · Staatsoper Stuttgart

Future and recently performed repertoire

Ännchen in Der Freischütz by Weber

Staatsoper Stuttgart

1.2. Flower girl in Parsifal by Wagner

Staatsoper Stuttgart

1. Elfe in Undine by Dvořák

Staatsoper Stuttgart

About

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