Costume Designer

How do I become what I am not? Between appearance and reality, director Tatjana Gürbaca searches for the melancholic undertones in Gioachino Rossini's masterful comedy. Behind some comic masquerades lies the desire to escape one's role, behind some triumphant vocal acrobatics the fear of missing out on life. Can there ever be a winner in the pursuit of happiness? A masterpiece for all time.

The Barber of Seville

Hamburg State Opera

In order to free her husband Florestan, Leonore disguises herself as a male prison guard and sneaks into a prison. Beethoven’s only opera is infused with an unwavering belief in the power of hope. The powerful liberation music at the end anticipates the «Ode to Joy» from his Ninth Symphony. Andreas Homoki separates the plot from its bourgeois comic light opera context, focusing instead on the utopian idea of world brotherhood and the universal themes of humanity that Beethoven chose as his central focus. Klaus Florian Vogt, one of the most outstanding tenors of our time, will appear as Florestan.

Fidelio

Zurich Opera House

Director Christof Loy has already helped four little-known operas from the early 20th century make a successful comeback at the Deutsche Oper Berlin: Erich Wolfgang Korngold's DAS WUNDER DER HELIANE and Riccardo Zandonai's FRANCESCA DA RIMINI were followed by other long-forgotten operatic treasures: Franz Schreker's DER SCHATZGRÄBER in 2022 and finally Ottorino Respighi's LA FIAMMA in 2024.

The Treasure Hunter (Der Schatzgräber)

Deutsche Oper Berlin

A psychological drama between duty and freedom

Katja Kaba­nova

German Oper am Rhein

Opera in two acts by Ludwig van Beethoven (1770 - 1827)
Libretto by Joseph Ferdinand Sonnleithner and Georg Friedrich Treitschke

EPSG:4326

Opernhaus Zürich

Imposing choruses and colossal tableaux accompany a story about intrigues, power play and an affair between stepmother and son in Ottorino Respighi’s last grand opera. Surrounded by political struggles, the figures become entangled in personal conflicts inextricably leading towards catastrophe and the cruel ending of a burning at the stake. For LA FIAMMA, Respighi created music going far beyond his illustrative-seeming “Trilogia romana” for which he is known in concert halls today. Yet in essence, the composer remained true to his colourful tonal language – the result is a musical amalgamation of French impressionism, influences of Russian music and a classicistic reimagining of Italian renaissance music. The archaic story and expansive dimensions of the operatic epos are reminiscent of the genre of the historical epic film, which was gaining popularity at the same time the opera was composed. This meant LA FIAMMA hit the nerve of the time, ensuring international success soon after its premiere. Over the course of decades, the work was slowly forgotten, yet the renowned critic and musicologist Paolo Isotta still praised LA FIAMMA in 2015 as a unique symbiosis of historicism and modernism, claiming its place among the 20th century’s masterworks of musical drama.

The flame

Magda leaves her wealthy patron when she meets the young Ruggero. But the feeling of first love cannot be relived. Puccini's "La rondine" (The Swallow), commissioned by Vienna's Carl Theater, is an unusual blend of opera and operetta that puzzled critics: some found it too heavy, others too light. Despite several revisions to the ending, Puccini considered his "problem child" a gem that remains rarely performed to this day. Christof Loy directs this work as an impressive rediscovery. Marco Armiliato conducts.

La rondine

plendor and misery lie close together in the life of the courtesan Violetta Valéry. Celebrated as an enigmatic beauty at lavish Parisian parties, she is forced to abandon her great love for Alfredo due to bourgeois conventions. With this opera about a "whore," as Giuseppe Verdi himself called her, he shocked the audiences of his time. His sharp critique is directed against the hypocritical practices of society, while he imbues Violetta herself, on her path of suffering, with the aura of a saint. With keen psychological insight, director Christof Loy draws inspiration from the aesthetics of Verdi's era. Under the direction of Joana Mallwitz, the young Spanish soprano Marina Monzó makes her debut in the title role.

La traviata

The artist’s all-consuming pursuit of perfection lies at the heart of Franz Schreker’s sumptuously orchestrated opera. We meet the young composer Fritz, driven by a desperate desire to recapture “the distant sound” he once heard so clearly. What begins as artistic longing becomes an obsession. He abandons everything – even his beloved Grete – and sets out into the world in search of the elusive sound, which seems only to fade the further he travels. Fritz fails to understand that the sound he seeks springs from the love of the woman he left behind. The question is whether he will realise this truth before it is too late.

The distant sound

The Royal Danish Playhouse

The aging and headstrong Don Pasquale dreams of marrying a young woman. But his supposed bride turns out to be a cunning schemer: the self-assured Norina and the shady Dottor Malatesta play a cruel trick on the old man, a blend of comedy and hurt. "Don Pasquale" is one of Gaetano Donizetti's last operas. This dramma buffo showcases the composer's mastery and keen understanding of human nature, written shortly before the tragic end of his life. Director Christof Loy presents Donizetti's classic beyond all buffo clichés, with a subtle, bittersweet touch. The title role is sung by Johannes Martin Kränzle, one of the most distinguished character actors of our time.

Costume Designer

Barbara Drosihn

Events

Upcoming events

Sep 24 - Oct 15, 2026

La rondine · Opernhaus Zürich

Dec 20, 2026 - Jan 23, 2027

La traviata · Opernhaus Zürich

7 - 24 Mar, 2027

The distant sound · Det Kongelige Teater

May 23 - Jun 11, 2027

Don Pasquale · Opernhaus Zürich

Past events

May 17 - Jun 17, 2026

The Barber of Seville · Staatsoper Hamburg

3 - 16 May, 2026

Fidelio · Opernhaus Zürich

About

Barbara Drosihn hasn't added a bio