Choreographer

Giuseppe Verdi’s «Messa da Requiem» is one of the most popular pieces in the concert repertoire. In a sensational co-production by the Oper Zürich and Ballett Zürich, Christian Spuck brought the oratorio for four solo voices, choir, and orchestra to the stage in 2016, as a combination of dance, abstract scene, space, and light. In his internationally acclaimed production, Spuck focuses on the human creature in the face of death and embarks on a sensitive search for traces of the whence and whither of the human being, between the terrifying proximity of death, loneliness, community solidarity, and mourning.

Requiem Mass

Zurich Opera House

The Dutchman is a cursed man, an outsider, a driven individual. Richard Wagner came upon the character of the famous drifter via Heinrich Heine, who lent the Romantic material his typically ironic touch. Wagner’s interest was tweaked not by Heine’s packaging of the story, which relegated the Dutchman-based action to the margins, but by the tale of the enigmatic mariner, which led to him writing his first opera about the man’s quest for a woman who could offer him redemption. The Dutchman, restlessly plying the borderlands between life and death, encounters Senta, who appears equally ill-at-ease and rootless and yearns for a masculine character, the Dutchman, a figment of her imagination.

Der fliegende Holländer

Deutsche Oper Berlin

The Flying Dutchman

On a Sunday morning before the big event of the premiere, Artistic Director Christian Spuck and Dramaturge Katja Wiegand welcome you to the premiere talk. This classic format offers unique insights into the new productions, which often only unfold in personal exchanges with the artists of the team. There is an opportunity to sense the atmosphere that characterizes the exciting days before every ballet premiere. The event will be conducted in German. English passages will be summarised in German.

Premiere Talk: A Midsummer Night's Dream

Age recommendation: 12 and up Gustave Flaubert’s novel Madame Bovary is a masterpiece of world literature that paved the way for modernism. When it was published in 1856, a scandal ensued. Flaubert was accused of «glorifying adultery and charged with violating public and religious morality and decency». The novel tells the story of a young country woman who wants much more than a suffocating provincial life at the side of her petit-bourgeois, unambitious husband. Emma Bovary rebels against her marriage, takes on lovers, loses herself in dreams of passion, luxury and debauchery – and it ends in disaster. She falls hopelessly into debt, ruins her family and finally takes a fatal dose of poison. ‹Bovarism›, a condition in which a person denies reality, is named after the protagonist of Flaubert’s famous novel: Emma Bovary escapes from her dull life in the provinces through excessive fantasies, which she cultivates by reading romantic novels and Parisian fashion magazines. Her extramarital affairs mirror this kitsch, fantasy world, as she lives beyond her means and loses sight of reality. Measured against its literary fame, Madame Bovary is rarely performed on stage, particularly as a ballet. Flaubert’s narrative style seems too cool and realistic for a stage adaptation. But precisely his detached, accurate language, combined with his total engagement with his subject matter, makes it so inspiring. The female figure as an outsider is at the centre of this new production, which does not tell Madame Bovary as a conventional story ballet but instead breaks up narrative structures and approaches the material through abstract choreography and intimate psychological observation. At the same time, it never loses sight of the tale. Christian Spuck’s dance piece Bovary is about the search for female self-determination, rapture and loneliness, substitutions for love, self-injury, hedonism and the fatal outcome when fantasy worlds and reality merge into one. The concept for this new production by the Staatsballett Berlin is to adapt the literary material using darkly poetic imagery and refined humour – to tell the story, not for the sake of telling it, but to enter the characters’ inner worlds and transform them into dance.

Bovary

Information stands of the Deutsche Oper Berlin, the Staatsballett Berlin and Tanz ist KLASSE! - Here we will answer all your questions about the opening festival programme. Of course you can also acquire free tickets for the evening opening concert at our box office or buy your tickets for your next opera, ballet or concert evenings.

Choreographer

Christian Spuck

Events

Past events

Feb 20 - Apr 6, 2026

Requiem Mass · Opernhaus Zürich

18 - 28 Jan, 2026

Der fliegende Holländer · Deutsche Oper Berlin

About

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