The medieval verses of the Marian sequence Stabat mater seem like a symbol of mourning that has endured for ages. Once sung in unison and humbly, the Stabat mater has inspired generations of composers, including the Pole Karol Szymanowski in 1926, whose oratorio-like Stabat mater incorporated elements of Polish folk and church music. Geographically and thematically close to each other are Pēteris Vasks' political and personal mourning work of the Musica dolorosa , Arvo Pärt's meditation on the Shroud of Turin and Witold Lutosławski's short Lacrimosa from the image-rich death sequence of the Dies irae.

Ljubomir Puškarić

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Feb 28, 2025

Stabat Mater · Münchner Rundfunkorchester

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