Das hr-Sinfonieorchester Frankfurt ist mit seinen Kammerkonzerten auch in dieser Saison zu im Forum Kultur Heppenheim. Im traditionsreichen Kursaal bietet es dabei diesmal ein Programm mit musikalischen Unbekannten und Überraschungen. Denn Komponistinnen hatten es lange schwer, sie wurden von ihren Zeitgenossen wie von der Nachwelt lange missachtet. In diesem Konzert sind einige zu erleben, mit ihrer reichen Musik und ihrem kreativen Schaffen. Clara Schumann ist eine von ihnen und noch allgemeinhin bekannt, anders verhält es sich bei Isabella Leonarda, einer italienischen Nonne des 17. Jahrhunderts, die zu den produktivsten Komponistinnen ihrer Epoche gehörte, und bei Marie Jaëll, einer französischen Pianistin und Komponistin des 19. Jahrhunderts. Angereichert noch um Musik zweier berühmter männlicher Kollegen ist dieser Konzertnachmittag in Heppenheim sicherlich ein sehr interessanter.

Mit Herz und Seele

Forum Kultur Heppenheim e. V.

The Frankfurt Radio Symphony Orchestra is once again making a stop at the Wettenberg Winter Concerts with its chamber concerts. This time with two masterful string quintets. Beethoven's grew out of a trio in his later years, Bruch's was a late work and long lost - both quintets have a special maturity, musical essence from many years. They immediately cast a spell over you, just like the mastery of Haydn's quartet.

quintessence

Pfarrstraße 5

Beethoven's grew out of a trio in his later years, Bruch's was a late work and long lost - both quintets have a special maturity, musical essence from many years. They immediately captivate you, just like the mastery of Haydn's quartet. Beethoven's model for his string quintet was a bold youthful work with an impetuous character, which he transformed as an established master, while Bruch, at the age of eighty, once again formulated his traditional credo in his quintet. Looking back, he also quotes himself - as a reminiscence and self-assurance of his own past.

EPSG:4326

Bertramstraße 8

Female composers have had a hard time for a long time, and have been largely ignored by history. This year's chamber concert by the hr Symphony Orchestra in Erbach will feature some of them, with their rich music and creative work. Clara Schumann, Lili Boulanger and Rebecca Clark will be familiar, but Isabella Leonarda, an Italian nun from the 17th century who was one of the most productive composers of her era, or Marie Jaëll, a French pianist and composer from the 19th century, is not. The Frenchwoman Mélanie Bonis, whose works were mostly published under the pseudonym Mel Bonis in the 19th century, is also hardly known in this country, as is the Austrian Maria Theresia von Paradis, who was blind since childhood and was very prominent in the musical life of her time, the Viennese Classical period, as a pianist, singer and composer. In this concert you can get to know them all, as well as Emilie Mayer, a 19th-century German composer who was celebrated during her lifetime as the "female Beethoven".

Women Power

Werner-Borchers-Halle

For a long time, women composers had a hard time; they were mostly ignored in their time and throughout history. But women have composed with strength and talent at many times. In this concert, you can experience some of them, with their rich music and their creative work. You may still know Clara Schumann, Lili Boulanger and Rebecca Clark, but it is a different story with Isabella Leonarda, an Italian nun from the 17th century who was one of the most productive composers of her era, or Marie Jaëll, a French pianist and composer from the 19th century. The Frenchwoman Mélanie Bonis, whose works were mostly published in the 19th century under the pseudonym Mel Bonis, is also hardly known in this country, as is the Austrian pianist, singer and composer Maria Theresia von Paradis, who was blind since childhood and was also very prominent in the musical life of her time, the Viennese Classical period. In this concert you can get to know them all, as well as Emilie Mayer, a German composer of the 19th century who was also highly celebrated during her lifetime and was widely regarded as the "female Beethoven".

Musik in Gedanken an die Schrecken des Krieges mit Musiker*innen des hr-Sinfonieorchesters aus fünf Ländern, deren Großväter im Zweiten Weltkrieg als Feinde gegenüberstanden und sich bekämpften – ein Konzert der Rückschau wie Vergegenwärtigung und Hoffnung! Mit seinem 8. Streichquartett hat der Russe Dmitrij Schostakowitsch 1960 den Opfern des Faschismus und des Krieges ein bewegendes musikalisches Denkmal gesetzt. Der Amerikaner Aaron Copland war während des Zweiten Weltkriegs vom Tod eines befreundeten Leutnants betroffen und er verarbeitete dies 1943 in seiner einzigen Violinsonate. In »Tenebrae« greift der rumänisch-israelische Komponist Osvaldo Golijov auf seine eigenen Erfahrungen zurück und stellt die Gewalt des Krieges neben die Ruhe eines Planetariums und die Hoffnung auf Frieden. Dazwischen zwei zeitgenössische Werke der Amerikanerin Jessie Montgomery und der Japanerin Michiru Oshimas, die die Gedanken des Friedens wie des Erinnerns aufgreifen und die Sinne öffnen.

Stefanie Pfaffenzeller

Events

Upcoming events

Jan 26, 2025

Mit Herz und Seele · hr-Sinfonieorchester

Feb 9, 2025

quintessence · hr-Sinfonieorchester

Feb 23, 2025

quintessence · hr-Sinfonieorchester

Mar 25, 2025

Women Power · hr-Sinfonieorchester

Mar 30, 2025

Women Power · hr-Sinfonieorchester

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