When Haggai Cohen-Milo describes his approach to creatively engaging with works of concert literature from the perspective of a jazz musician, it is flying objects in space that spring to mind. When exploring the work, he feels like a spaceship that is attracted to the moon - the work - and accelerates further as a result, and finally overcomes the gravitational forces through targeted counter-steering, shoots past it and can explore new worlds: worlds that lie beyond it. 

Tamuz Dekel

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Jan 16, 2025

Haggai Cohen-Milo Volume X »Prélude à l'après-midi d'un faune« · Symphoniker Hamburg

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