And they bid their audience farewell to the summer break with extremely optimistic sounds. Felix Mendelssohn's overture to "A Midsummer Night's Dream" is one of his greatest strokes of genius: the famous introductory wind chords immediately transport their listeners to a fairy kingdom painted by Shakespeare, in which Mendelssohn's shimmering and darting sounds create fascinating scenes of mysterious magic. Prokofiev's 2nd Violin Concerto marks his turn to a "new simplicity" that should above all be good-humored, energetic and objective, while still demanding the highest level of art from the soloist. And it reflects Prokofiev's (still) cosmopolitan attitude, which was fueled by his international concert tours at the time of writing. The final point is set by Ludwig van Beethoven – as is already the custom in Pforzheim – with another symphony: this time it is the fourth, which – although written at a time when Beethoven's deafness had already progressed – is described as extremely positive, "Greekly slim" and downright luminous. It demonstrates in an incomparable way how clearly, purely and lively a master like Beethoven is able to bring ever new opposing principles into dialogue with one another and, as a result, into harmony!

Sergei Krylov

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Jun 29, 2025

summer dreams · Südwestdeutsches Kammerorchester Pforzheim

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