Singer

“Crunchy, crunchy crunch, who’s going to crunch my house?”
Hanover's cult production of Hansel and Gretel is back—and here it is! Steffen Tiggeler's work has been on the State Opera's program since 1964, making it the longest-running production of this fairytale play, lovingly composed in Wagnerian style by Engelbert Humperdinck and with a nostalgic libretto by his sister Adelheid Wette.
Hansel and Gretel, the children of a broom-making couple, live in dire poverty. There's hardly any food on the table at home. So, while their father senses trouble, their mother sends them into the forest to gather berries. Hansel and Gretel get lost and fall into the clutches of the evil gingerbread witch, who wants to turn them into gingerbread and consume them herself. Gretel manages to outwit the gingerbread witch, who throws them both into the oven. In the happy ending, all the gingerbread children who had previously fallen into the clutches of the witch are freed. Father and mother also find Hansel and Gretel safe and sound.

Hansel and Gretel

Staatstheater Hannover

"Am I still Don Juan? No, I don't know anything about him anymore. The role is over. Something has ended, and something else is beginning."
Don Giovanni—the epitome of the ruthless, charismatic seducer. His life is marked by interpersonal encounters, affairs, and relationships. He savors life to the fullest, finding himself in the midst of a frenzied feast. But now Don Giovanni crosses the line: in a duel, he kills the Commendatore, which suddenly leaves a pool of blood in his life book, which was previously meticulously filled with women's names.
The production by Bastian Kraft and his team questions Don Giovanni about the life images of this radically ruthless man, who already sees his own death approaching and yet clings to life once more. More and more memories of his life so far intrude on him. But the voices of the dark figures he encounters—opponents, rivals, lovers—also grow louder and louder. Don Giovanni's actions do not remain without consequences. The images of a single night are overwritten and blurred beyond recognition.

Don Giovanni

When social roles and values ​​are renegotiated, existential questions arise: Who am I? Who can I be? And what can I do to be a good person? In The Greek Passion , the residents of a Greek village are painfully confronted with this after they have assigned the roles for the upcoming passion play. When a group of refugees appears and asks for help, the overwhelming feeling grows. The Greek Passion deals with the most important themes of our coexistence: humanity and charity. With Greek folklore, Orthodox liturgy and large choral tableaux, it tells the story in a musically folk-like way, making it one of the most magnificent and haunting operas of the 20th century.

The Greek Passion

Opernplatz

A premiere as a stark warning against hatred and repression: The 1972 Olympic Games in Munich were supposed to be a sporting festival in the name of peace. Instead, the catastrophe occurred, eleven Israeli athletes were killed by terrorists. The failure of the security forces and the way the Germans dealt with guilt still have an impact today. In the new opera, the lightness of the play is mixed with anxiety and chaos. The production removes the event from its distance and shows us the ghosts of history in powerful images. The sporting disciplines portrayed in the music and the wild jazz of the Steamboat Switzerland trio, which works together with the orchestra, loosen up the virtuoso time and rhythm structure. Corinna Harfouch is one of the most sought-after German actresses.

Echo 72

How can we confront injustice in society? Mahatma Gandhi, the famous Indian freedom fighter, developed a spiritual response to this as a young lawyer in South Africa: "Satyagraha", holding on to the truth. The truth is propagated here as the most effective means in the fight against injustice, the opposing side is to be convinced by peaceful means, through non-violent resistance. Philip Glass has dedicated an emphatic work of art to this idea with his great choral opera Satyagraha : His catchy minimal music transports us to other spheres of consciousness, the timeless verses from the Bhagavad Gita invite us to inner contemplation - an inspiring experience.

Satyagraha

“This is a delicate matter, how will it end?”
Countess, Susanna and Figaro
On the occasion of Figaro and Susanna's wedding, Count Almaviva wants to once again indulge in the long-abolished "right of the first night," setting in motion a machine of confusion, intrigue, and doubt that ultimately leads to the exposure of the Count's abuse of power, but also to the possibility of forgiveness.
Only a composer like Wolfgang Amadeus Mozart could have come up with the downright ludicrous idea of ​​setting Beaumarchais's La folle journée ou Le mariage de Figaro to music in 1786 , the most politically explosive comedy of those years—a portrait of a society in upheaval and a nobility once again exercising their privileges and blindly running towards their own ruin. The very first bars of the overture make it irresistibly clear: in this play, every bar, every syllable, every whisper carries the undertone of nervous excitement. There is a standstill only at the turning points, those precious moments in which Mozart reveals the inner lives of his heroes. But the adventure continues, and only the onset of night can bring this "mad day" to an end.

The Marriage of Figaro

"If it had been 'Lehman Sisters' and not 'Lehman Brothers,' the world might look very different today."
Christine Lagarde
When Adam Smith, the founder of political economy, was working on his major work, The Wealth of Nations , he lived with his mother, Margareth Douglas. According to Adam Smith, the principle that everyone should pursue their own advantage was the foundation for the well-being of society as a whole. As he developed this fundamental idea, his mother looked after his everyday well-being. And she probably cooked him dinner the day he wrote: "It is not from the benevolence of the butcher, the brewer, and the baker that we look for our food, but from their looking after their own interest."
250 years after the first publication of The Wealth of Nations, composer Andrea Tarrodi and her librettist Helena Röhr ask themselves: Did Adam Smith perhaps overlook something? Are our current ideas about economics still only based on half the truth?
The internationally sought-after Swedish composer Andrea Tarrodi is famous for her colorful, impressionistic orchestral works. She also performs as a singer-songwriter.

Soprano

Ketevan Chuntishvili

Events

Upcoming events

3 - 23 Dec, 2025

Hansel and Gretel · Staatstheater Hannover

Mar 1 - May 30, 2026

The Marriage of Figaro · Staatstheater Hannover

Apr 11 - May 25, 2026

Homo Economicus · Staatstheater Hannover

Past events

3 - 23 Dec, 2025

Hansel and Gretel · Staatstheater Hannover

Oct 2 - Nov 1, 2025

Don Giovanni · Staatstheater Hannover

Future and recently performed repertoire

Mrs. Naidoo in Satyagraha by Glass

Staatstheater Hannover

Zerlina in Don Giovanni by Mozart

Staatstheater Hannover

Susanna in The Marriage of Figaro by Mozart

Staatstheater Hannover

Gretel in Hansel and Gretel by Humperdinck

Staatstheater Hannover

About

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