A sophisticated story and timelessly good music are the best prerequisites for a successful comedy. With "The Marriage of Figaro", Mozart opened his trio of legendary master operas, all of which the composer wrote based on librettos by the Italian Lorenzo Da Ponte. The piece presents an everlasting love story, a playful and biting social satire - and yet all these descriptions fall short. Because "Figaro" is above all: a work of upheaval, a piece of stormy pressure for personal recognition and thus at the same time a timeless symbol of the individual's rebellion against the establishment.

The Marriage of Figaro

Hessisches Staatstheater Wiesbaden

"Carmen" is still one of the most popular operas today. At the premiere in 1875, audiences were initially more shocked than enthusiastic, because Bizet elevated the underprivileged - the fatally seductive Carmen and the deserting soldier Don José - to the main characters of his story. Nevertheless, the opera began its great triumph. Even more than one hundred and forty years later, the work fascinates audiences all over the world with its world of smugglers, bullfighters, factory workers, policemen, children and soldiers. In addition to ensemble member Fleuranne Brockway as Carmen, Stefano La Colla, one of the most important tenors on the international opera scene, is a guest in Wiesbaden and is making his debut as Don José. The revival is being conducted by General Music Director Leo McFall.

Carmen: Georges Bizet

Good and evil, childhood and growing up, dreams, fears and trials - the popular opera by Wolfgang Amadeus Mozart puts people at the centre. And at the same time it is a fairy tale: Prince Tamino is not necessarily a hero in the classic sense. When the three ladies entrust him with the task of freeing the Queen of the Night's daughter from the clutches of the mysterious Sarastro, he is anything but enthusiastic. But a picture of the young princess suddenly gives him new motivation: he falls head over heels in love with Pamina's image. He sets off with the quirky bird catcher Papageno. Equipped with the magic flute and magic bells, they are ready (or not) to face Sarastro's three great trials.

The Magic Flute: Wolfgang Amadeus Mozart

Fantasio's name says it all. With an overdose of humor, craziness and creative energy, the title character navigates through every situation, no matter how tricky, and turns everything upside down. A wonderful role model for Anna Weber, an expert in musical comedies and their adaptations for the stage. Wherever she directs, tears of laughter and a breath of fresh air are guaranteed. For Wiesbaden, she has unearthed an unknown gem by Jacques Offenbach with "Fantasio" and has woven the premiere cast into her new version with a singer.

Sascha Zarrabi

Events

Past events

Apr 12 - Jun 21, 2025

The Marriage of Figaro · Staatstheater Wiesbaden

Feb 9, 2025

Carmen: Georges Bizet · Staatstheater Wiesbaden

Future and recently performed repertoire

Monostatos in The Magic Flute by Mozart

Staatstheater Wiesbaden

Basilio in The Marriage of Figaro by Mozart

Staatstheater Wiesbaden

Remendado in Carmen by Bizet

Staatstheater Wiesbaden

Marinoni in Fantasio by Offenbach

Staatstheater Wiesbaden

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