Lighting Designer

Don't miss Donizetti's funny and well-acted opera comedy in the Royal Danish Theatre's beautiful production.

Don Pasquale

Aarhus Music Hall

The old should not try to rule over the young. That is the moral of  , Donizetti's funny and well-crafted comedy that rebukes the marriage of convenience and celebrates young and true love.

EPSG:4326

Don Pasquale–Royal Theatre

Musikteatret Holstebro

A festive and delightful opera in a critically acclaimed and vividly staged production from Glyndebourne Festival Opera.

The old should not meddle in the affairs of the young—this is the moral of Don Pasquale, Donizetti’s witty and exuberant comedy, which satirises arranged marriages and celebrates youthful, genuine love.

Royal Danish Opera

A maelstrom of violence is unleashed when love turns to envy, when actions are driven by betrayal and madness. David’s triumph over the giant Goliath comes to an abrupt end when King Saul views the young hero as a rival for the throne. Although Saul does everything in his power to kill David, the latter enjoys divine protection. In the end, Saul himself dies and David takes the crown for himself.

Saul

Semperoper Dresden

Dramma per musica in three acts by Georg Friedrich Händel (1685–1759)
Libretto by Cardinal Vincenzo Grimani



Agrippina

Opernhaus Zürich

A myth that is unparalleled: the legend of the singer Orpheus, whose music reaches the hearts of all living creatures, overshadows the man behind the fictional character. Caught between reality and dream, the spotlight and loneliness, longing for love and narcissism, we follow Orpheus on his journey into the underworld as he demands his beloved Eurydice back.

Orpheus and Eurydice (Orphée et Eurydice)

Staatstheater Darmstadt

Lost, confused, and frightened, Melisande is coerced into marrying the overbearing prince Golaud, and in her marital melancholy, the young bride grows close to her handsome brother-in-law, Pelleas. Golaud’s rage sets the stage for this timeless tale of forbidden love, family jealousy, and regret. Debussy’s luminous orchestrations propel the drama to ecstatic heights, the music a striking contrast to this lean new production by Dutch director Jetske Mijnssen.

Pelleas and Melisande

AT&T Performing Arts Center

The mermaid Rusalka loves the prince and wants to become a human being in order to be with him forever. With her voice, she pays the witch Ježibaba for the transformation and leaves home and family. Rusalka's appearance with the people initially depresses the prince, but the magical, voiceless being remains a foreign body in the human world and finally the lover turns away from her – which means death for him and banishment for her. In his fairytale opera, premiered in Prague in 1901, Dvořák set to music the contrasting worlds of the ghostly flowing underwater kingdom and the distanced stiff royal court with great music-dramatic verve. With the parable-like material about the value of one's own identity, the meaning of the human soul and the transformation of the main character Rusalka from a romantic mermaid to a loving person capable of suffering without a real home, the internationally working director Christoph Loy makes his debut in the Semperoper.

Rusalka

SINGING MIGHT MAKE MORE SENSE OF LIFE THAN LIVING HAD TO START WITH.</q><cite>— RICHARD POWERS (THE TIME OF OUR SINGING)</cite> <p>After a year of anticipation, Kris Defoort’s new opera will finally be brought to the stage! Black Lives Matter, police brutality, rigged elections: these are themes that have remained at the forefront of current affairs over the past year. There are clear parallels to be drawn between the recent history of the US and <em>The Time of Our Singing</em>, which was inspired by the Richard Powers novel of the same name. The work depicts the life of a mixed-race family that is both united and divided by music, against the backdrop of segregation in the post-war United States. In collaboration with the librettist Peter van Kraaij, the conductor Kwamé Ryan, and the stage director Ted Huffman, Kris Defoort conjures an imaginary space in which official history and personal histories intertwine, in which people come together to weave a narrative, and in which jazz and classical music are enriched by one another. ‘To my mind, it doesn’t happen often that a contemporary opera is so profoundly rooted in the “now” and yet raises so many universal themes.’ (Kris Defoort)

The Time of Our Singing

La Monnaie

Immerse yourself in the rococo grandeur of 19th-century Rome in this fizzy comedy of errors, returning to the Lyric Opera of Chicago stage for the first time in more than a decade with a vivid, period production directed by Mariame Clément.

Donizetti’s lively score animates the story of the aging bachelor Don Pasquale, whose disowned nephew enlists his wry fiancée and the Don’s long-suffering doctor to orchestrate a complex series of dupes and double-crosses in a bid to reclaim his uncle’s inheritance — all in the name of true love.

Lighting Designer

Bernd Purkrabek

Events

Upcoming events

12 - 27 Nov, 2026

Don Pasquale · Lyric Opera of Chicago

Past events

Mar 21, 2026

Don Pasquale · Musikhuset Aarhus

Mar 21, 2026

Don Pasquale–Royal Theatre · Musikteatret Holstebro

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