Conductor

A courtesan among the decadent elite, Violetta Valéry knows that she will die soon so she lives life to the fullest. Only the love of the doting Alfredo can sweep her away from these sensual delights. But while she is a trophy to be won amongst the balls and frivolities of Paris, she is nothing but a scandalous “fallen woman” to genteel society. Violetta and Alfredo’s love threatens to bring shame to his family and ruin his sister's marriage prospects. In secret, Alfredo’s father presses Violetta to shun Alfredo and save the family’s reputation. Heartbroken and health failing, Violetta retreats to her old life of empty pleasures. As her illness worsens, will love slip away as well?

EPSG:4326

La Traviata

Benedum Center for the Performing Arts

n the aftermath of the Trojan War, the priestess Iphigénie is tasked to kill any strangers who land on Scythia’s shores. But as Fate would have it, her brother Oreste is the first to be shipwrecked on the peninsula and brought to the sacrificial altar.

Iphigénie En Tauride

Pittsburgh CAPA School Theater

Every seven years a ghostly ship pulls into port captained by a man known simply as The Dutchman. Condemned to eternally roam the seven seas, only the pure heart of a faithful bride can free The Dutchman from a demonic curse. In a windswept fishing village, he finds Senta, a young woman obsessed with his dark legend. But can this match made in heaven truly save him from his hellish fate?

The Flying Dutchman

With scissors as sharp as his wits, the cunning barber Figaro is the go-to neighborhood trickster capable of solving any problem. When Count Almaviva finds himself smitten with the charming and clever Rosina, Almaviva knows exactly who to call to help him out. Through disguises and distractions, schemes and subterfuge, Figaro and Almaviva team up to outwit the dastardly Dr. Bartolo who would have Rosina—and her large fortune—for his own.

The Barber of Seville

Verdi’s Il Trovatore is an epic tale of love and sacrifice, deception and revenge.
Manrico and the Count di Luna, on opposite sides of a civil war in 1400s Spain, don’t know they are actually brothers. Both are in love with Leonora; she loves Manrico and spurns the Count’s advances.
Azucena is the tormented woman who raised Manrico. Years ago, the Count’s father killed Azucena’s mother. Azucena swore to avenge her mother’s death, and will do whatever it takes to punish the Count and his family.
After the Count captures Azucena, Manrico attempts to rescue her. When Manrico himself is then captured, Leonora tells the Count she will give herself to him in exchange for Manrico’s freedom. But Leonora and Azucena each have deadly tricks up their sleeves, and are determined to have the last laughs.

Il Trovatore

Ariodante is a beautiful opera seria composed by the prolific Baroque master George Frideric Handel in 1735. These will be its first-ever Pittsburgh performances.
Set in Medieval Scotland, Ariodante tells a tale of love, jealousy, deception, and redemption. Princess Ginevra, daughter of the King, loves and is betrothed to Prince Ariodante. Faithful to Ariodante, Ginevra rejects the advances of the vile Polinesso, Duke of Albany, who views Ginevra as a path to the throne. Dalinda, a lady of the court who has feelings for Polinesso, explains to Polinesso that Ginevra is marrying Ariodante.
Polinesso cynically tricks Dalinda into making it appear that Ginevra has been unfaithful to Ariodante. Both Ariodante and the King fall for the ruse. Ariodante contemplates suicide, and the King not only condemns his daughter, but disowns her too.
His trick proving successful, Polinesso orders his henchmen to kill the only witness to his plot—Dalinda. Ariodante, still grief-stricken at what he believes was Ginevra’s betrayal, runs off the henchmen and saves Dalinda. Dalinda, realizing that her love for Polinesso was a colossal mistake, explains to Ariodante that Ginevra was framed, and that Ginevra has been faithful to Ariodante all along.
Dalinda and Ariodante must work together to clear Ginevra’s name, and the King must learn of Polinesso’s treachery, so that Ariodante and Ginevra can live happily ever afte

Ariodante

Pittsburgh Creative and Performing Arts

Mozart’s The Marriage of Figaro is one of the most popular comic operas of all time. Filled with amusing cases of mistaken identity and romantic subterfuge, plus music by a Mozart at the height of his powers, The Marriage of Figaro has stood the test of time for centuries. 
The Marriage of Figaro is a sequel to The Barber of Seville. The story opens several years later, in Count Almaviva’s palace near Seville, Spain. Rosina is now the Countess, but her husband has lost much of his interest in her and is a would-be philanderer.
Figaro is in love with the Countess’s servant Susanna, who he plans to wed that very day. However, their employer Count Almaviva has his eye on Susanna. In fact, the Count intends to invoke the hated feudal practice of droit de seigneur—the infamous right of the lord to sleep with a commoner’s bride on her wedding night.
Figaro, Susanna, and the Countess are understandably outraged at this possibility, and are determined not only to prevent it, but to teach the Count a lesson.

The Marriage of Figaro

Rusalka is the Czech version of the popular fairy tale The Little Mermaid. While it has many similarities to both the familiar Disney® movie and the Hans Christian Andersen story, they are not exactly the same. First of all, her name is Rusalka, not Ariel. Secondly, Rusalka is not a mermaid per se, but a water sprite, also called a water nymph. However, like in The Little Mermaid, Rusalka falls in love with a human Prince. She has a witch turn her into a human in exchange for her voice. Rusalka must win and keep the Prince’s love, or else there will be disastrous consequences for them both.
Will a jealous Princess ruin Rusalka’s plan? Will Rusalka’s father be able to bail her out if things go awry? Will true love triumph?
Rusalka premiered in 1901 and has become one of the most beloved lyric fairy tales of all time. We are proud to be producing Rusalka for the first time in our 82-year history.

Antony Walker

Conductor

Events

16 - 19 Mar, 2024

La Traviata · Pittsburgh Opera

20 - 28 Jan, 2024

Iphigénie En Tauride · Pittsburgh Opera

11 - 19 Nov, 2023

The Flying Dutchman · Pittsburgh Opera

14 - 22 Oct, 2023

The Barber of Seville · Pittsburgh Opera

Mar 25 - Apr 2, 2023

Il Trovatore · Pittsburgh Opera

About

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