Singer

Verdi’s Il Trovatore is an epic tale of love and sacrifice, deception and revenge.
Manrico and the Count di Luna, on opposite sides of a civil war in 1400s Spain, don’t know they are actually brothers. Both are in love with Leonora; she loves Manrico and spurns the Count’s advances.
Azucena is the tormented woman who raised Manrico. Years ago, the Count’s father killed Azucena’s mother. Azucena swore to avenge her mother’s death, and will do whatever it takes to punish the Count and his family.
After the Count captures Azucena, Manrico attempts to rescue her. When Manrico himself is then captured, Leonora tells the Count she will give herself to him in exchange for Manrico’s freedom. But Leonora and Azucena each have deadly tricks up their sleeves, and are determined to have the last laughs.

EPSG:4326

Il Trovatore

Benedum Center for the Performing Arts

Ariodante is a beautiful opera seria composed by the prolific Baroque master George Frideric Handel in 1735. These will be its first-ever Pittsburgh performances.
Set in Medieval Scotland, Ariodante tells a tale of love, jealousy, deception, and redemption. Princess Ginevra, daughter of the King, loves and is betrothed to Prince Ariodante. Faithful to Ariodante, Ginevra rejects the advances of the vile Polinesso, Duke of Albany, who views Ginevra as a path to the throne. Dalinda, a lady of the court who has feelings for Polinesso, explains to Polinesso that Ginevra is marrying Ariodante.
Polinesso cynically tricks Dalinda into making it appear that Ginevra has been unfaithful to Ariodante. Both Ariodante and the King fall for the ruse. Ariodante contemplates suicide, and the King not only condemns his daughter, but disowns her too.
His trick proving successful, Polinesso orders his henchmen to kill the only witness to his plot—Dalinda. Ariodante, still grief-stricken at what he believes was Ginevra’s betrayal, runs off the henchmen and saves Dalinda. Dalinda, realizing that her love for Polinesso was a colossal mistake, explains to Ariodante that Ginevra was framed, and that Ginevra has been faithful to Ariodante all along.
Dalinda and Ariodante must work together to clear Ginevra’s name, and the King must learn of Polinesso’s treachery, so that Ariodante and Ginevra can live happily ever afte

Ariodante

Pittsburgh Creative and Performing Arts

Mozart’s The Marriage of Figaro is one of the most popular comic operas of all time. Filled with amusing cases of mistaken identity and romantic subterfuge, plus music by a Mozart at the height of his powers, The Marriage of Figaro has stood the test of time for centuries. 
The Marriage of Figaro is a sequel to The Barber of Seville. The story opens several years later, in Count Almaviva’s palace near Seville, Spain. Rosina is now the Countess, but her husband has lost much of his interest in her and is a would-be philanderer.
Figaro is in love with the Countess’s servant Susanna, who he plans to wed that very day. However, their employer Count Almaviva has his eye on Susanna. In fact, the Count intends to invoke the hated feudal practice of droit de seigneur—the infamous right of the lord to sleep with a commoner’s bride on her wedding night.
Figaro, Susanna, and the Countess are understandably outraged at this possibility, and are determined not only to prevent it, but to teach the Count a lesson.

Daniel O’Hearn

Tenor

Events

Mar 25 - Apr 2, 2023

Il Trovatore · Pittsburgh Opera

21 - 29 Jan, 2023

Ariodante · Pittsburgh Opera

5 - 13 Nov, 2022

The Marriage of Figaro · Pittsburgh Opera

Future and recently performed repertoire

Lurcanio in Ariodante by Handel

Pittsburgh Opera

About

Daniel O’Hearn hasn't added a bio