Leslie Travers, costume designer | Schedule & Tickets 2025

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Opera Philadelphia proudly presents the company premiere of "The Anonymous Lover," a captivating romantic comedy that stands as a testament to the genius of Joseph Bologne, Chevalier de Saint-Georges. This groundbreaking 18th-century composer, often overlooked due to his race, was a contemporary of Mozart and Haydn and shines through his only surviving opera. The music, composed by Joseph Bologne with a libretto by François-Georges Fouques Deshayes, Desfontaines, based on the play "L’amant anonyme" by Stéphanie Félicité, Madame de Genlis, and adapted by Kirsten Greenidge, will be performed in French with English supertitles, offering audiences a unique and immersive experience.

Set against the backdrop of a frothy romp filled with beautiful arias and charming music, "The Anonymous Lover" tells the story of the young widow Léontine, portrayed by soprano Symone Harcum, who receives a series of passionate letters from a secret admirer. As she grapples with the possibility of new love, it becomes clear that her friend Valcour, played by tenor Khanyiso Gwenxane, is the mysterious author. This opera invites audiences to root for true love in a tale that is both ahead of its time and timeless.

The production is co-produced with Boston Lyric Opera and features a talented cast including Johnathan McCullough as Ophémon, Ashley Marie Robillard as Jeanette, Joshua Blue as Colin, and Sun-Ly Pierce as Dorothée. The creative team is led by conductor Kalena Bovell and director Dennis Whitehead Darling, with scenic coordination by Baron E. Pugh, costumes by Leslie Travers, and lighting by Driscoll Otto. Elizabeth Braden serves as the chorus master, marking her Opera Philadelphia debut.

"The Anonymous Lover" will grace the stage of the Academy of Music with performances scheduled for January 31 at 8:00 p.m. and February 2 at 2:00 p.m., during the Jan - Feb 2025 season. The opera runs for approximately 90 minutes with no intermission, promising an evening of uninterrupted enchantment.

This production is part of Opera Philadelphia’s 2024-2025 Season, supported by the Artistry Now Matching Fund and Barbara Augusta Teichert, with additional support from Judy and Peter Leone for Academy of Music productions. Don't miss the opportunity to discover the work of Joseph Bologne, Chevalier de Saint-Georges, and experience a romantic comedy that will leave you inspired and uplifted.

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Even though The Haunted Manor is considered Moniuszko’s most remarkable work, it is still hard to fathom the fact that the opera has been put before the Warsaw public over 1,500 times already. Written after Poland had been wiped from the map of Europe, the masterpiece enabled the desolate nation to go on a sentimental journey back to the time when its motherland was self-governing and free from external peril. A praise for family and native traditions evoking the happy days of yore won the hearts of the Polish audience yearning for its heritage. Before the tsarist censors realised the opera had been written to lift the Poles’ spirits and banned it after the third show in 1865, large portions of the public had managed to see the production and spread the word about the hope of restoring freedom that it offered. Unfortunately, Moniuszko did not live to see the next staging. A hundred years since its world premiere, the opera opened the first season at the newly restored Warsaw opera house following its destruction during the Second World War. It was no coincidence: in the course of the intervening decades The Hunted Manor became a symbol of Polish patriotism, Poland, and the strength of her nation that has risen from ashes many times it its history.