Director

Two masterpieces from the 20th century form an unforgettable double bill that could not be more topical, given its similarities to today's social and political situation. Kurt Weill' s Die sieben Todsünden tells the story of sisters Anna 1 and Anna 2, who commit the seven deadly sins in seven cities to save their families. Der Kaiser von Atlantis is a gripping parable about a war machine so destructive that even death refuses to do its job unless the emperor himself is willing to die first. Composer Viktor Ullmann wrote this work in the Theresienstadt concentration camp, but was deported to Auschwitz, where he was murdered, before its premiere.

EPSG:4326

Die sieben Todsünden & Der Kaiser von Atlantis

Amare

Did Richard Wagner already know when, in The Flying Dutchman, he first explored the notion of redemption, that this would end up being the central concern of his art? In his final opera, Parsifal, which was first performed in Bayreuth in 1882, it is not just a single person but society as a whole that awaits a saviour – buoyed by the hope of one day meeting the One who will fulfil this role. Parsifal’s qualification for this tremendous task is that he has become “knowing through compassion” – a process that takes many years, perhaps an entire lifetime. But there are forces trying to hinder him on his path. Will Parsifal be willing to place himself at the service of the community? Parsifal, which has been called a “stage consecration festival”, is still an overwhelming experience today. Can art truly help us find redemption?

Director

Floris VIsser

Events

Upcoming events

Mar 22 - Apr 6, 2026

Parsifal · Semperoper Dresden

Past events

25 - 29 Jun, 2025

Die sieben Todsünden & Der Kaiser von Atlantis · Residentie Orkest Den Haag

About

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