Although it has been said that Mozart did not particularly appreciate the flute, he nevertheless dedicated to it, in addition to a concerto in which he married it to the harp, a Quartet that does not fit into any box: imitating a theme by Paisiello in the first movement then obeying hilarious indications in a Rondeau noted as "gracefully animated, but not too fast, not too slow either, moreover, like this... like that... with a lot of fire and expression", the flute stands out for its caprices. Emmanuel Pahud delights in it, before defending pieces by the Lyonnais Ferroud and the American Amy Beach.

Pierre-Octave Ferroud

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Dec 7, 2025

National Sundays / Emmanuel Pahud · Orchestre National de France

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