Although it has been said that Mozart did not particularly appreciate the flute, he nevertheless dedicated to it, in addition to a concerto in which he married it to the harp, a Quartet that does not fit into any box: imitating a theme by Paisiello in the first movement then obeying hilarious indications in a Rondeau noted as "gracefully animated, but not too fast, not too slow either, moreover, like this... like that... with a lot of fire and expression", the flute stands out for its caprices. Emmanuel Pahud delights in it, before defending pieces by the Lyonnais Ferroud and the American Amy Beach.

Cyril Bouffyesse

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Dec 7, 2025

National Sundays / Emmanuel Pahud · Orchestre National de France

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