»If I survived, and others didn’t, then it was probably to attest to what Auschwitz was.« Said Zofia Posmysz, explaining why she wrote her novel The (female) Passenger. Polish composer Mieczyslaw Weinberg, who suffered under the brutality of the SS as well as Stalin’s reign of terror, found a guardian and supporter in Dmitri Shostakovich. It was he who suggested he turn Posmysz' novel into an opera. Director Anselm Weber and set designer Katja Haß cleverly managed to depict different times and places – present day and memories: A ship sailing to Brazil in the 1950s. Lisa and her husband Walter are on their way to start a new life when an encounter suddenly confronts Lisa with the past, when she was a KZ guard in Auschwitz. Is the other passenger a former prisoner, Marta? Lisa was convinced she had died but now stands face to face with her. Walter’s dumbfounded and fears for his future as a diplomat – he knew nothing of his wife’s past.

EPSG:4326

The (female) Passenger

Oper Frankfurt

The fool in Nikolaus Lehnhoff’s production of Rigoletto is clad in poisonous green, and equally toxic is his mockery of the gaggle of courtiers around the Duke of Mantua. But emotionally the fool is a mess, constantly worried about his daughter Gilda, whom he jealously shields from the clutches of the Duke, an infamous rake. When Gilda nevertheless falls victim to the Duke, Rigoletto swears bloody vengeance. But the plan backfires … The hugely successful premiere of Rigoletto took place at the Teatro La Fenice in 1851. Giuseppe Verdi created a score which he himself described as ”revolutionary“ in its ground-breaking musical and dramatic intensity. The end result is a deeply shocking work, and perhaps the best opera by the great Italian.

Bettina Walter

Events

Upcoming events

1 - 21 Feb, 2026

The (female) Passenger · Oper Frankfurt

8 - 30 May, 2026

Rigoletto · Semperoper Dresden

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