Choreographer

In the early 1930s, for Richard Strauss — approaching 70 — it was an auspicious moment when Stefan Zweig, a renowned author known for his artful, profound novels and plays, proposed writing a new libretto. In a mutually inspiring collaboration, they created a truly “comic opera” based on a play by Ben Jonson from the Shakespeare period filled not only with striking characters, tempo, and wit, but profound reflection as well. “The opera is a perfect, but perhaps for the twenty-first century,” according to Strauss himself, who in a difficult, dark time created a work of creative compositional virtuosity and a relaxed sense of humor, a story of people longing for rest or who lose themselves in busyness. This will be director Jan Philipp Gloger’s debut and it will be Christian Thielemann’s first new production as general music director, a position once held by Strauss himself.

Die schweigsame Frau

Bebelplatz

With this new production of the operetta classic The White Horse Inn, director Jan Philipp Gloger sets out in search of the contemporary aspects of the piece, which he recognizes above all in the theme of tourism. Come with us to the region of the Salzkammergut and take a look behind the façade of the traditional eponymous hotel!

In the White Horse Inn

Volksoper Wien

The famous dancer Rudolf Nureyev has a dog. When Nureyev dies, the strict ballet mistress Marika inherits the dog. The dog growls at her and becomes aggressive. When Marika is unable to place the dog with one of Nureyev’s friends, the animal shelter seems to be the only solution. Until Marika realises that the dog has hidden qualities …

The author Elke Heidenreich wrote a novel about Nureyev’s dog. Director and choreographer Florian Hurler actually knew Nureyev’s dog and the ballet mistress Marika. Peter te Nuyl wrote a theatrical script and text based on their stories. Keren Kagarlitsky created a new score from ballet-, opera- and her own music.

Nurejews Hund

The operetta A Night in Venice, composed in 1883, drew on the overflowing enthusiasm that Vienna held for the Serenissima — an affection that reached another peak with the opening of the “Venice in Vienna” theme park in the Prater in 1895.

The plot revolves around the pleasure-seeking Duke of Urbino, a notorious womanizer, who wishes to take advantage of the Carnival season to pursue a romantic conquest under the cover of colorful masks and disguise… Specifically, the Duke sets his sights on Barbara, the wife of Venetian senator Delaqua. Several schemes — some aiming to thwart the Duke’s plan, others to support it — intersect and clash, and in the end, the Duke finds himself facing not one, but three Barbaras!

A Night in Venice

It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal Fledermaus. Parties that get out of hand, erotic mix-ups, conspiracies, intrigues and a large portion of schadenfreude: the climax of the classical Viennese operetta era offers ambiguous entertainment in waltz rhythm. And if the social façade crumbles too much, you can still blame everything on the effect of champagne. 

The Volksoper is considered the most Viennese opera house in the city. So it is not surprising that Johann Strauss' masterpiece is practically family silver here. No work has ever been performed more often at the Volksoper. At the beginning of Lotte de Beer's directorship, the performance was carefully refreshed, and a female "Frosch" has since provided a fresh look at a well-known piece.

The Bat

Operetta has always been an escape from everyday life into a dream world. But what if what is happening in the world is so terrible that it can no longer be forgotten? In the first months of 1938, current political life intrudes into the Volksoper during rehearsals for the operetta Gruß und Kuss aus der Wachau. What do intolerance, discrimination and fascism do to the staff of the Volksoper?

In the course of rehearsals, the seizure of power by the National Socialists brings about serious changes for the Volksoper: dismissals follow at all levels of the house. A captivating look into the mirror of the past can also mean a confrontation with a painful period in the history of the Volksoper. We don't want to avoid that. By telling the story of the Volksoper staff, we preserve the memory of ALL victims. At the same time, we do not lose sight of the actions of the perpetrators, which could happen again at any time, but we also remember the countless people who did not raise their voices.

Choreographer

Florian Hurler

Events

Past events

9 - 29 May, 2026

Die schweigsame Frau · Staatsoper Berlin

Mar 1 - Apr 23, 2026

In the White Horse Inn · Volksoper Wien

About

Florian Hurler hasn't added a bio