A coming of age story and a story of love: The Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro. Tamino, who instantly falls in love with Pamina, is ready to set off. Involuntarily, bird catcher Papageno is also sent along with Tamino – as companion to the prince. After various trials of initiation, courage and perseverance Tamino and Papageno not only find their station in life as adults, but also each the woman to their hearts’ content: Tamino gains the hand of Pamina and Papageno lives happily ever after with his Papagena. We show the legendary Magic Flute of the Komische Oper Berlin, which director Barrie Kosky staged with the theater video art collective "1927" in an astonishing video animation world for the whole family.

The Magic Flute

Stuttgart Opera

"I no longer have time to think about myself. In no year have I worked as much mentally as in this one," wrote the composer Leoš Janáček while he was working on The Cunning Little Vixen . The composition absorbed him completely, so meticulously did he try to translate the sounds of nature and the animal world into music. Janáček got the inspiration for the story about a young vixen who comes into contact with the human world from a newspaper comic. Nevertheless, The Cunning Little Vixen is not a playful fairytale opera, on the contrary. Two worlds collide, that of the animals and that of the humans. The community around the forester and his family as well as the other villagers is cruel and at the same time full of longing for a better life - but who has the answer to the question of what a real life is like? When the forester and the vixen meet in the forest, nature and apparent civilization come face to face. Thus, The Cunning Little Vixen explicitly shows no cute anecdotes about animals, but a pragmatic, uncompromising world in which it is all about survival. And yet there is room for the love between vixen and fox. Janáček succeeds in sounding out the animal in man and the human in the animal, thus holding up a mirror to us. Almost 101 years to the day after its premiere in Brno in 1924, Stephan Kimmig now turns his attention to an opera full of contrasts and the longing to find a place where one can live free of rules, following Der Prinz von Homburg and Das Rheingold . But does this place even exist?

The Cunning Little Vixen

Rigoletto wants to protect his daughter Gilda from the abusive Duke at all costs – but his revenge turns into the cruelest of all defeats: It's not the Duke, but Gilda who falls victim. Is this the fulfillment of the gruesome curse imposed on Rigoletto at the beginning? Verdi combines the dark force of a revenge thriller with the tragedy of an unconditional, yet one-sided love – and at the same time creates an explosive political drama, which Jossi Wieler and Sergio Morabito bring to the fore in their production.

Rigoletto

“Et si je t'aime, prends garde à toi – if I love you, take care,” sings Carmen in her world-famous Habanera. Love is a game to her, or at least a rebellious bird. Lively, perhaps capricious, but fun. Don José's love, on the other hand, is really dangerous – not a game, but deadly serious. If I love you, beware: not a flirtation, a threat. Sebastian Nübling's production shows Carmen as a gripping journey into the subconscious of a murderer, far removed from all Spanish clichés. With audience favorite Atalla Ayan as Don José and the Carmen debut of Ida Ränzlöv.

Oscar Encinas

Events

Upcoming events

Jan 4 - Jun 28, 2026

The Magic Flute · Staatsoper Stuttgart

Feb 14 - Mar 13, 2026

Carmen · Staatsoper Stuttgart

Past events

Jan 4 - Jun 28, 2026

The Magic Flute · Staatsoper Stuttgart

Nov 9 - Dec 10, 2025

The Cunning Little Vixen · Staatsoper Stuttgart

Future and recently performed repertoire

First Man in Armor in The Magic Flute by Mozart

Staatsoper Stuttgart

Borsa in Rigoletto by Verdi

Staatsoper Stuttgart

Rooster in The Cunning Little Vixen by Janáček

Staatsoper Stuttgart

Remendado in Carmen by Bizet

Staatsoper Stuttgart

About

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