Chorus Director

In the middle of his career, Giuseppe Verdi with «created one of his most diverse scores». Embedded in effective ensemble scenes that oscillate between operetta-like, mysterious oracular magic and dark conspiracy drama, Verdi focuses on the private fate of a politician: Riccardo, the governor of Boston, is in love with Amelia, the wife of his best friend and advisor Renato. When the two are discovered during a passionate nocturnal encounter, Renato joins the conspirators and discovers Riccardo's disguise at the masked ball.

A Masked Ball

Zurich Opera House

«La Damnation de Faust» is one of Hector Berlioz's most revolutionary works, a dramatic journey to hell that is part opera, part oratorio. «I neither tried to translate Goethe’s masterpiece nor to imitate it, but simply let it work on me in an effort to grasp its musical content», the composer stated candidly. His multicolored music is imaginary theater, a journey into Faust’s interior, from which the devil Méphistophélès himself seems to emerge.

The Damnation of Faust

In order to free her husband Florestan, Leonore disguises herself as a male prison guard and sneaks into a prison. Beethoven’s only opera is infused with an unwavering belief in the power of hope. The powerful liberation music at the end anticipates the «Ode to Joy» from his Ninth Symphony. Andreas Homoki separates the plot from its bourgeois comic light opera context, focusing instead on the utopian idea of world brotherhood and the universal themes of humanity that Beethoven chose as his central focus. Klaus Florian Vogt, one of the most outstanding tenors of our time, will appear as Florestan.

Fidelio

Cardillac cannot part with his art. The jeweler must kill anyone who buys jewelry from him. E.T.A. Hoffmann’s novella «Das Fräulein von Scuderi», one of the first German detective stories, served as source material for Paul Hindemith. His 1926 opera is a milestone in the development of music theater. A century years after its premiere, theater and filmmaker Kornél Mundruczó stages this thriller about obsessions, control, and self-alienation. 

Cardillac

This opera’s 1875 premiere in Paris caused a scandal, after the title character’s anarchic nature and lustful femininity disturbed the bourgeois audience’s sensibilities. But Bizet’s opera soon began its triumphal march, becoming a myth of modern times. To this day, «Carmen» fascinates audiences with its relentless drama and the elemental power of its melodies. Andreas Homoki’s production pays homage to the place where the opera was created, the Opéra comique in Paris. 

Carmen

The «Japanese tragedy» by Giacomo Puccini shows how the American naval officer Pinkerton embraces Japanese culture, marrying Cio-Cio-San, a young geisha, for the duration of his stay. When he later returns with his «real» wife to take the child he had with Cio-Cio-San back to his homeland, the young woman is left with only one way out. With his ambitious composition, Puccini combined Eastern and Western motifs, producing one of his most successful operas at the start of the 20th century. Director Ted Huffman brings the opera to the stage in stunningly beautiful images and with great narrative tension.

Madama Butterfly

The court of the Duke of Mantua is host to lavish parties. But in this society, having fun means humiliating and degrading others, and the most cynical joker of all is Rigoletto. He wants to protect his daughter Gilda from the corrupt world, so he locks her away. But the young woman goes her own way. Together with «Il trovatore» and «La traviata», «Rigoletto» cemented Verdi’s international fame as an opera composer. The opera is gripping theater in which all roles are ideally cast: from the king to the avenger, from the lover to the murderer.

Rigoletto

The composer Engelbert Humperdinck based his work on the most famous of all fairy tales. The operatic version of the story of the siblings Hänsel and Gretel, who lose their way in the forest and nearly fall victim to the Knusperhexe, or witch, has always inspired audiences. The music takes well-known folk melodies and combines them with large, shimmering soundscapes that move between dream and reality, and between fears and fantasies. Zurich-born director Thom Luz has received numerous awards for his theater work. With «Hansel and Gretel», he makes his long-awaited opera debut, and unleashes the poetic power of theatrical magic. Lithuanian conductor Giedrė Šlekytė musically directs.

Hansel and Gretel

A political drama about a bloody seizure of power, namely the rise and terrible fall of the Scottish military leader Macbeth and his wife, are at the heart of Verdi’s opera, based on Shakespeare’s famous tragedy. Barrie Kosky's production is «an aesthetic milestone in the work’s reception» (NZZ). It radically concentrates on the protagonists’ inner perspective in a ghostly jet-black stage space. Gianandrea Noseda navigates Verdi’s bold score. Roman Burdenko and Ekaterina Semenchuk sing the roles of the couple shattered by fears and madness.

Macbeth

War, flight, hatred and revenge characterize the grand portrait that Giuseppe Verdi created in «La forza del destino». Amid this unpredictable interplay of forces, Leonora and Alvaro search for each other, fight for their love, experience persecution, find refuge in faith, and are crushed by inexorable fate. Director Valentina Carrascothe Catalan, who was a member of the Catalan theater collective La Fura dels Baus, uses Verdi’s monumental scenes as an opportunity to question the values of war and peace in the 21st century, creating a dystopian fantasy. Anna Netrebko returns to Zurich as Leonora. General Music Director Gianandrea Noseda is on the podium.

The strength of destiny

When Strauss and Hofmannsthal wrote «Der Rosenkavalier» – setting it in an imaginary Rococo Vienna and yet closely linked to the decadent fin de siècle – they created a profound social comedy. It is not without melancholy that the Marschallin lets her young lover Octavian go when he falls head over heels with Sophie, who hails from Faninal’s bourgeois household. As voluptuous as Strauss' score is, it contains tender moments of dream and melancholy. Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. 

Chorus Director

Klaas-Jan de Groot

Events

Past events

May 22 - Jun 13, 2026

A Masked Ball · Opernhaus Zürich

10 - 17 May, 2026

The Damnation of Faust · Opernhaus Zürich

About

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