Chorus Director

The poet Hoffmann thinking of his beloved Stella, struggles with a writer’s block. His Muse, in disguise, is determined to steer Hoffmann away from his unhappy love and back to art. Hoffmann begins recounting the stories of three women he once loved: Olympia, Antonia, and Giulietta. In her staging, director Lotte de Beer creates a dialogue between Hoffmann and the Muse, a confrontation between art and the artist. Jacques Offenbach’s name remains synonymous with operetta, but at the end of his life, he worked on his most ambitious masterpiece: the fantastic opera Les contes d’Hoffmann.

Hoffmanns tales

Volksoper Wien

The famous chansonnière Sylva is not allowed to marry her noble lover Edwin. His parents arrange for him to be drafted into the army and arrange an engagement to a countess. At the engagement party, the chansonnière suddenly turns up. When it becomes clear that Edwin’s mother also used to be a varieté artist, nothing stands in the way of a marriage between the lovers.

The Csárdásfürstin

In the 19th century, Penzance was one of the most idyllic and peaceful little towns on the British isle. Pirates... here?! The kings of English operetta, the writing duo Gilbert & Sullivan, had a knack for humorously subverting their audience’s expectations. With this satirical and subversive “recipe,” they created one hit after another.

The rather absurd plot of The Pirates of Penzance would have done proud even to the British humor of Monty Python back in the 19th century: A young man is not trained as a pilot, but instead apprenticed to the Pirates of Penzance because his hard-of-hearing governess confuses the words “pilot” and “pirate.” Upon turning 21, Frederic should have completed his apprenticeship—if only he hadn’t been born in a leap year! According to pirate logic, that makes him just five years old… From this existential dilemma unfolds a love story between the young pirate apprentice and Mabel, a young lady from the British military aristocracy..

The Pirates of Penzance

Figaro, the Count’s servant, has become engaged to Susanna, the Countess’s maid. The Count is stalking Susanna. Figaro hatches a plan to put the count in his place. After a “mad day” of disguises, misunderstandings and other comical complications, Figaro gets his Susanna and the Count has no choice but to apologize to the Countess.

The Marriage of Figaro

The well known tragic love story between the high-class coutesan Violetta and Alfredo, son of a respected Parisian family. With Alfredo the beautiful high-class courtesan Violetta finally finds true love. After a brief spell of happiness enjoyed together Alfredo's father manages, nevertheless, to convince Violetta of the social damage this relationship causes his family. In desperation, she leaves Alfredo and throws herself into the Parisian demimonde with disastrous effects on her health,already ravaged by consumption. Reconciliation comes too late.

The wrong way

The operetta A Night in Venice, composed in 1883, drew on the overflowing enthusiasm that Vienna held for the Serenissima — an affection that reached another peak with the opening of the “Venice in Vienna” theme park in the Prater in 1895.

The plot revolves around the pleasure-seeking Duke of Urbino, a notorious womanizer, who wishes to take advantage of the Carnival season to pursue a romantic conquest under the cover of colorful masks and disguise… Specifically, the Duke sets his sights on Barbara, the wife of Venetian senator Delaqua. Several schemes — some aiming to thwart the Duke’s plan, others to support it — intersect and clash, and in the end, the Duke finds himself facing not one, but three Barbaras!

A Night in Venice

It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal Fledermaus. Parties that get out of hand, erotic mix-ups, conspiracies, intrigues and a large portion of schadenfreude: the climax of the classical Viennese operetta era offers ambiguous entertainment in waltz rhythm. And if the social façade crumbles too much, you can still blame everything on the effect of champagne. 

The Volksoper is considered the most Viennese opera house in the city. So it is not surprising that Johann Strauss' masterpiece is practically family silver here. No work has ever been performed more often at the Volksoper. At the beginning of Lotte de Beer's directorship, the performance was carefully refreshed, and a female "Frosch" has since provided a fresh look at a well-known piece.

The Bat

“Love stays away, you wait and wait; when least expected, there it is!” 
She is said to seduce all the men with her free-spiritedness and her Spanish folklore, as she sings “Love is a rebellious bird”… Until she is killed by one of the men.

“Is Carmen really the free, independent woman we think she is, or is she rather the prisoner of the very myth of the free, independent woman? Isn’t it precisely the men who attribute this free-spiritedness to her, so that their conquest of her is all the more rewarding? Carmen tries to make decisions that go in an unexpected, unconventional direction. But is that the definition of freedom? Isn’t the consistent decision to go against convention also a kind of straitjacket?” (Lotte de Beer)

Carmen

The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.

The story of The Magic Flute has been interpreted and reinterpreted in many ways. But one of the reasons it continues to captivate audiences to this day is that it features complex characters, who are portrayed as diverse and dazzling as real people. A mother, for example, who wants to save her daughter – or perhaps uses her as an instrument of revenge. A young woman who discovers a strength within herself she didn’t know she had. A coward who might actually be braver than he believes. A villain who, on second glance, no longer appears (only) evil.

Chorus Director

Roger Díaz-Cajamarca

Events

Upcoming events

May 31 - Jun 21, 2026

The Csárdásfürstin · Volksoper Wien

Past events

Jun 5, 2026

Hoffmanns tales · Volksoper Wien

May 31 - Jun 21, 2026

The Csárdásfürstin · Volksoper Wien

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