Singer

Following Così fan tutte, the final production of the first graduating class of the Volksoper’s opera studio, the second generation of this young ensemble now takes the stage with another repertoire classic at MuTh in the Augarten. In a newly created chamber version, director Maurice Lenhard highlights the close connections between Mozart’s opera and current global political dynamics, shaping it into a contemporary political thriller. Within this world, the two couples — Vitellia and Sesto, as well as Servilia and Annio — become entangled in a ruthless system of intrigue, corruption, and murder … for power and powerlessness lie dangerously close together.

Titus

Volksoper Wien

The well known tragic love story between the high-class coutesan Violetta and Alfredo, son of a respected Parisian family. With Alfredo the beautiful high-class courtesan Violetta finally finds true love. After a brief spell of happiness enjoyed together Alfredo's father manages, nevertheless, to convince Violetta of the social damage this relationship causes his family. In desperation, she leaves Alfredo and throws herself into the Parisian demimonde with disastrous effects on her health,already ravaged by consumption. Reconciliation comes too late.

The wrong way

Opus Walzerkönig

“Love stays away, you wait and wait; when least expected, there it is!” 
She is said to seduce all the men with her free-spiritedness and her Spanish folklore, as she sings “Love is a rebellious bird”… Until she is killed by one of the men.

“Is Carmen really the free, independent woman we think she is, or is she rather the prisoner of the very myth of the free, independent woman? Isn’t it precisely the men who attribute this free-spiritedness to her, so that their conquest of her is all the more rewarding? Carmen tries to make decisions that go in an unexpected, unconventional direction. But is that the definition of freedom? Isn’t the consistent decision to go against convention also a kind of straitjacket?” (Lotte de Beer)

Carmen

The story—fictional yet grounded in historical context—takes place in late-fifteenth-century Granada. The city, the last Arab kingdom on the Iberian Peninsula, is under siege by Spanish forces. Inside its walls, however, an internal conflict rages just as fiercely between two factions: the Abenceragi clan and the Zegri.

Alahor in Granata

Teatro Sociale

“Such a little fat dachshund has never been seen here before,” Goethe’s mother wrote to her son in 1793 about a performance of DIE ZAUBERFLÖTE (The Magic Flute) – a remark that reflects how Mozart’s Singspiel quickly captivated a wide audience. At once entertaining and sophisticated, the story follows Prince Tamino and Papageno who face a series of trials to rescue the princess Pamina from the clutches of Sarastro. It journey full of dangers, at the end of which lies the hope for a self-determined future together.

Unknown

Mira Alkhovik

Events

Upcoming events

11 - 27 Nov, 2026

Alahor in Granata · Fondazione Teatro Donizetti

Dec 13, 2026 - Mar 27, 2027

The Magic Flute · Oper Köln

Past events

8 - 10 May, 2026

Titus · Volksoper Wien

Oct 31 - Nov 21, 2025

The wrong way · Volksoper Wien

Future and recently performed repertoire

Flora Bervoix in La traviata by Verdi

Volksoper Wien

Pamina in The Magic Flute by Mozart

Oper Köln

Micaëla in Carmen by Bizet

Volksoper Wien

Vitellia, daughter of Emperor Vitellius in Titus by Mozart

Volksoper Wien

Zobeida in Alahor in Granata by Donizetti

Fondazione Teatro Donizetti

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