Among them, parallel trajectories echo each other with poignant force. Korngold and Schoenberg, two major figures in Viennese music, had to flee Nazism. The former found refuge in Hollywood where he revolutionized film music; the latter reconstructed his musical language in the United States. Their works bear the scars of this uprooting, between nostalgia and audacity. Pablo Casals and Roberto Gerhard, Spanish exiles, embody resistance through music. Casals, an opponent of Franco, transformed El cant dels ocells into a hymn of freedom. Gerhard, a disciple of Schoenberg, blended avant-garde and Catalan folklore in a unique style, shaped by his exile in England. Arvo Pärt, Olga Podgaiskaya, and Samir Odeh-Tamimi extend this reflection on wandering and creation. Pärt, forced to leave Soviet Estonia, found refuge in timeless music. Podgaiskaya and Odeh-Tamimi, heirs to these journeys, in turn question boundaries and shifting identities. An evening resonating with the echoes of a torn 20th century and the persistence of a beauty born of absence. A world concert where each note echoes a lost land, but also the hope of a new beginning.

Olga Podgaiskaya

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Feb 7, 2026

Exiles #2 · Opéra Orchestre National Montpellier

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