The opera Nabucco, depicting the dramatic story of the subjugation of the Israelites by the King of Babylon, ranks among Guiseppe Verdi’s most celebrated works. Phenomenal chorus scenes, extremely impassioned virtuoso arias, as well as the perennially topical themes of expansive war, lust for power, betrayal, life and death, are the reasons why it has always been a staple of opera houses’ repertoire.

Nabucco

State Opera

Giuseppe Verdi’s La traviata, to the libretto based on Alexandre Dumas’s novel La Dame aux camélias, about Marie Duplessis, the famous courtesan and idol of Parisian society in the 1840s, is actually the very first major opera treating a contemporary social theme. The work’s premiere in 1863 in Venice was a flop: the audience was appalled that the lead role had been assigned to a courtesan who, what’s more, was portrayed in a positive light. Yet Verdi’s opera soon started garnering plaudits and is now one of the most popular repertoire titles the world over.

La traviata

Verdi's last work, in the popular tradition, is a lighthearted comedy about a fat drunkard who cynically seduces two women and is severely punished by them. However, when one carefully examines the Shakespearean original and carefully analyzes the extraordinary richness of the musical motifs, one discovers a darker undercurrent to this mysterious work, which the aged, accomplished composer consciously wrote as a farewell to his immense legacy, his own impressive life, and the world he philosophically viewed as the creator's painful joke on people and their actions. Reaching this undercurrent and revealing its supreme artistic beauty seems worth departing from the stereotype of a protagonist supposedly engaged solely in enjoying the remnants of the pleasures of table and bed, and in fairground clowning.

Falstaff

Teatr Wielki - Polish National Opera

Nearly two hundred people on stage, live horses, a grand set, and lavish costumes – Mark Weiss's Nabucco is a total spectacle, a true synthesis of the arts. "Opera isn't made like that anymore" – all the more reason to see it. It's a historical production in the strict sense – as a staple of the National Opera, in the repertoire since 1992, but also because the director consciously crafted his project as if Verdi's contemporaries had done it, emphasizing monumentality and additional, almost circus-like attractions. Musically, this early Verdi work is atypical, somewhere between an opera and an oratorio, because the real protagonist is the chorus. Its constant presence is crowned by " Va pensiero," the most famous choral aria in history, audible and overwhelming here, all the more so because it's sung against the backdrop of the lowered Iron Curtain (the Wailing Wall is projected onto it), which amplifies and echoes the sounds. The director himself intended his work as a pastiche of 19th-century opera, which justifies the clash of "high and low" – Nebuchadnezzar's horse-drawn aria, as tradition would have it, often sends shivers not only through the audience but also through the animal itself, which, so to speak, releases its tension, and the desert scenery is enriched with yet another prop, from a distance resembling small hamada stones.

Stepan Drobit

Events

Upcoming events

Aug 29, 2026 - Jan 24, 2027

La traviata · Národní divadlo

Aug 30 - Dec 15, 2026

Nabucco · Národní divadlo

Past events

Aug 30 - Dec 15, 2026

Nabucco · Národní divadlo

Aug 29, 2026 - Jan 24, 2027

La traviata · Národní divadlo

Future and recently performed repertoire

Giorgio Germont in La traviata by Verdi

Národní divadlo

Nabucco in Nabucco by Verdi

Polish National Opera

Ford in Falstaff by Verdi

Polish National Opera

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