Quatuor Ébène, (Baltimore Debut)

Critics have written of Quatuor Ébène performances that it's hard to imagine "playing at once more diverse and more brilliant than this… the possibilities of a string quartet were shown to be boundless" (Bachtrack). "The superb and intensely focused" (New York Times) French ensemble makes its Baltimore Debut with Mozart and Schnittke, and Grief's only complete quartet, one of this most expressive and richly textured works.