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Based on chants used in Russian Orthodox liturgy, Rimsky-Korsakov designed his overture as a carefully calculated explosion of orchestral color reflecting popular Russian feelings on this highest Christian feast. Mozart’s Symphony No. 39, one of the final symphonic statements in his prolific career, stands apart in innovation, emotion, increased dissonance, and profound content.
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1 dates (2 Mar - 2 Mar)
Mar
2
Sat
7:30 pm
Charles W. Eisemann Center for Performing Arts
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