Name: Holy Hooligans – Ashford Choral Society
Start: 2025-05-03T19:30:00
Location: University of Kent

The Gulbenkian Arts Centre in Canterbury is set to host an array of spectacular events in 2025, each offering a unique blend of history, creativity, and cultural exploration. From Kate Mosse's gripping 'Labyrinth Live' to the whimsical 'Detective Dog', and the electrifying sounds of the 'Down for the Count All-Stars', these events promise to captivate audiences of all ages. Join us as we delve into the details of these events, highlighting the remarkable contributions of artists and the unforgettable experiences awaiting attendees.

A Cultural Journey with Gulbenkian Arts Centre: Celebrating Creativity and History

April and May 2025 bring a rich tapestry of events to the Gulbenkian Arts Centre, showcasing a vibrant mix of theater, music, and interactive experiences. From Shôn Dale-Jones' poignant narrative 'The Duke' to the enchanting melodies of James Gilchrist and Anna Tilbrook, there's something for everyone. Families can delight in 'Teach Rex Live,' while jazz enthusiasts swing to Down for the Count All-Stars. As we explore each event, discover how these artists and performances contribute to the broader cultural landscape.

Cultural Kaleidoscope: Dive into Diverse Performances at Gulbenkian Arts Centre

Prepare to be captivated by a diverse array of performances, from folk legends bidding adieu to playful myths taking shape. Gulbenkian Arts Centre's 2025 events calendar brims with artistic talents and genres, promising something for every taste. Join us as we dive into this vibrant cultural tapestry, where music, theater, and creativity collide, ensuring an unforgettable experience for audiences of all ages.

A Kaleidoscope of Culture: Gulbenkian Arts Centre's 2025 Line-Up

Gulbenkian Arts Centre

When Beethoven’s Mass was played for its’ patron, Prince Nicolaus Esterhazy, the Prince let Beethoven know his displeasure – having expected something more akin to his teacher, Haydn. Likewise, when Poulenc’s work was first played in 1961, the words from the Mass are set to music of such freshness and vivacity that some critics suggested that it bordered on the sacrilegious. The critic, Claude Rostand, described Poulenc as “moine ou voyou” (“half yob, half monk”) describing the polarity between Poulenc’s devout Catholic faith and other aspects of his character. Today audiences will recognise and enjoy both these works as masterpieces of glorious choral and orchestral writing.

Holy Hooligans – Ashford Choral Society

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