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The early Baroque was a time of experimentation, when stylistic elements of Renaissance polyphony met and mingled with the developing practice of basso continuo. England and Italy saw a blossoming interest in virtuosic instrumental music which later became 18th-c. suite and sonata forms. Contrasting moods and tempi of these early works would later develop into standardized Baroque sonatas with their own florid style of melodrama. Loosely-organized instrumental suites have one foot in the older w ...
Flint Hall, Lincoln, MA, United States
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