Name: Semper Bar – VolkseigenTon
Start: 2025-02-14T19:00:00
Location: Semper Zwei

Experience a captivating blend of opera, dance, and concerts at the Semperoper Dresden. From the enchanting tale of 'The Magic Flute' to the exploratory dance of 'Wonderful World', and the heartfelt journey of 'La bohème', audiences are invited to an array of performances. Engage with the tribute to Vaslav Nijinsky, marvel at a special concert connecting man and nature, and let children explore musical masquerades. With each event, Semperoper Dresden continues to inspire and challenge, offering unique experiences that resonate deeply with both performers and attendees alike.

Semperoper Dresden: A Vivid Tapestry of Opera, Dance, and Concerts

Semperoper Dresden

Is Carmen’s gaze only to be compared with that of a wild animal? The French writer Prosper Mérimée explored this question in his novella Carmen, which was the basis for Georges Bizet’s (1838-1875) final opera, which premiered at the Opéra-Comique in Paris on 3 March 1875. Carmen’s air of seduction is both her weapon and her downfall, for in the end she dies at the hands of her jealous lover, Don José. Carmen refuses to be told what to do and certainly doesn’t want to be rescued by Don José in the shifting sands in front of the bullfighting arena. She prefers death to having her life decided by others. In the extremely popular and passionate “Habanera” aria, which is our first encounter with Carmen, she paints a picture of herself: “Love is a rebellious bird that none can tame.” Her indomitable desire for freedom is stamped in her DNA.

Carmen

Axel Ranisch, Ragna Schirmer and Matthias Daneck are presenting a very special evening at which they explore the question of whether the GDR had its own unique sound. How political are musical compositions? What picture is painted by the poetry of the GDR? What were the ideals of its artists? What kind of future do they portray? Pianist Ragna Schirmer, percussionist Matthias Daneck and actor, director and author Axel Ranisch illuminate four decades of GDR history in words and music, revealing contradictions between artists of the avant-garde and those aligned with the communist system. They view the music and poetry of this age between two poles, namely criticism of and loyalty to the regime. In addition to well-known figures such as Paul Dessau, Friedrich Goldmann, Bertolt Brecht, Thomas Brasch, Sarah Kirsch and Eva Strittmatter, the three artists also take a look at less familiar names. The selection of works juxtaposes the private and the political, the personal and the partisan. A journey through the years 1949 to 1990, which, against the backdrop of our modern global tensions, also has a truly contemporary relevance.

Semper Bar – VolkseigenTon

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