Name: The Marriage of Figaro
Start: 2025-02-21T19:00:00
Location: Bebelplatz

Staatsoper Berlin is set to dazzle audiences with an exquisite lineup of performances that blend timeless classics with contemporary interpretations. This season, the celebrated opera house will showcase an eclectic mix of operas, including Richard Wagner's 'The Mastersingers of Nuremberg', Bizet's 'Carmen', and Mozart's 'The Magic Flute'. Alongside these renowned compositions, Puccini's 'Tosca' and Strauss' 'Elektra' add depth to the repertoire. The program extends to interpretations of modern themes with 'End of game', 'Cassandra', and 'Undine'. With stellar casts and visionary productions, these performances promise a captivating experience for all.

A Mesmerizing Season at Staatsoper Berlin: A Journey Through Opera and Theater

The Staatsoper Berlin is set to enchant audiences with an eclectic lineup of performances in 2025. From the gripping drama of 'Tosca' and the complex narratives of 'End of Game' to the comedic yet poignant storytelling in 'Cassandra', this year promises a spectacular array of operas and theatrical productions. With renowned performers such as Michael Fabiano and Iréne Theorin gracing the stage, the performances explore themes of love, betrayal, identity, and environmental awareness, making them not just entertainment, but profound reflections on human experiences.

Diverse Delights: Exploring Staatsoper Berlin's Captivating Lineup

Staatsoper Berlin unfolds a captivating tapestry of opera and drama in its 2025 season. From Puccini's tragic romance in 'Tosca' to the riveting modern themes in 'Cassandra', each performance promises a unique emotional experience. Set against the backdrop of historical and mythical narratives, these events showcase the exceptional talents of artists like Michael Fabiano and Jessica Niles, bringing tales of love, betrayal, and identity to life. Let’s delve into these enthralling performances and the artistic brilliance they offer.

Exploring the Depths of Opera: A Journey Through Staatsoper Berlin's 2025 Season

Gyula Orendt

Riccardo Fassi

Rebecka Wallroth

Maria Kokareva

Olaf Bär

Evelin Novak

Regina Koncz

Patrick Zielke

Jürgen Flimm

Marcin Lakomicki

Magdalena Gut

Ursula Curly

Olaf Freese

Staatsoper Berlin

Jacques Offenbach composed more than 100 operas and operettas, most of them with unique wit and biting satire, original and inspired. At the end of his illustrious career in Paris, which stretched over five decades, he turned to his most ambitious operatic work Les Contes d’Hoffmann (The Tales of Hoffmann), an opéra fantastique based on a play that premiered in 1881.

Les Contes d’Hoffmann

Bebelplatz

Lieutenant Pinkerton has fallen in love with the geisha Cio-Cio-San, known as Madama Butterfly, and wants to marry her according to Japanese custom without entering into a permanent relationship. But Butterfly truly loves Pinkerton and has a child by him. For years she waits in vain for the lieutenant to return. When Pinkerton does return, he arrives with his new American wife to pick up the child, and Butterfly stabs herself with a dagger.

Madama Butterfly

It is one of the classics in the Staatsoper’s repertoire: August Everding’s production of Wolfgang Amadeus Mozart’s The Magic Flute. The production is unique for its reconstruction of Karl Friedrich Schinkel’s 1816 set design for what was then the Berlin Court Opera on Unter den Linden – including the legendary starry sky for the Queen of the Night, which has become an icon of scenography and continues to enchant audiences.

Die Zauberflöte (Everding)

The wealthy Count Almaviva has won the heart of the beautiful Rosina under the pseudonym 'Lindoro'. But Rosina’s jealous guardian Dr Bartolo wishes to marry his ward himself and so tries to keep her suitors away. Fortunately, 'Lindoro' is helped by the cunning barber Figaro, who – more or less ingeniously – weaves a web of entanglements and masquerades.

Il barbiere di Siviglia

With his poetic opera The Cunning Little Vixen, Leoš Janáček brought nothing less than the eternal cycle of becoming and passing to the stage. It tells the life story of the young, rebellious vixen Bystrouška, or Sharp Ears, who is captured by the forester and starts a revolution at his homestead before she succeeds in escaping. Back in the freedom of the forest, she founds a family with a fox and is then shot by a poacher. The seemingly so civilized human world looks wistfully at wild nature, which follows its own laws of life and love.

Das schlaue Füchslein

The Viennese aristocracy are no strangers to family feuds: boorish Baron Ochs auf Lerchenau interrupts the morning tête-à-tête between his cousin, the Marschallin, and her young lover Octavian, to ask for her help with his wedding plans, which are steered more by financial gain than love. Ochs does not suspect that Octavian himself, who is chosen to deliver the engagement rose, will eventually fall in love with the bride.

Der Rosenkavalier

In masks and costumes, the characters in Verdi’s opera try to conceal their identities or to construct alternative ones. The powerholder Riccardo does so in order to avoid those plotting against him, his friend Renato to escape unrecognized, Renato’s wife Amelia to hide her love for Riccardo from her husband, the guests at the masked ball to enjoy playing with beautiful appearances.

Un ballo in maschera

A young woman is given a job as a governess at a country house, Bly, where she will be looking after two orphan children, Flora and Miles. She has been hired by the children’s uncle and guardian, who doesn’t want to be bothered by anything and who makes the young woman swear to absolute secrecy about the goings-on at his estate. Mysterious things do indeed start to happen at the house, including strange behaviour by the children. She also finds something inscrutable about the housekeeper Mrs Grose, who has apparently spent half her life at Bly. Later, the governess believes she sees hazy apparitions of a man and a woman gliding through the rooms of the house, and she identifies them as the spirits of former employees Peter Quint and Miss Jessel. Demonic forces appear to be running rampant and plaguing the characters. At the end, one thing is certain: one of the characters lies dead. Everything else remains unanswered …

The Turn of the Screw

Few operas have more to say about remaining true (to yourself) in matters of art and love than Ariadne auf Naxos: should you cling to the one you love unconditionally, or remain open to new loves?

Ariadne auf Naxos

Aida is a slave at the Egyptian court. She is the king’s daughter from the enemy country of Ethiopia but has fallen in love with the Egyptian military leader Radamès. Her father Amonasro uses her to learn about the military strategy of his adversaries. Meanwhile, Amneris, the Egyptian king’s daughter, uses everything in her power to fight for her love for Radamès and tries to kill her rival. Everyone is at the mercy of a ruthless cartel of priests and warriors.

Aida

The will to resist the Roman is growing among the Galls, and Norma should finally give the sign for an uprising against the oppressor in the name of the god of war. But she hesitates due to a conflict of conscience: despite her vow of chastity, Norma has two children, hidden from the public, fathered by the Roman Pollione. When she finds out that Pollione loves the novice Adalgisa and wants to run away with her, her situation seems hopeless. If she reveals her double life, she risks not only her own standing, but that of her children as well.

Norma

In the early 1930s, for Richard Strauss — approaching 70 — it was an auspicious moment when Stefan Zweig, a renowned author known for his artful, profound novels and plays, proposed writing a new libretto. In a mutually inspiring collaboration, they created a truly “comic opera” based on a play by Ben Jonson from the Shakespeare period filled not only with striking characters, tempo, and wit, but profound reflection as well. “The opera is a perfect, but perhaps for the twenty-first century,” according to Strauss himself, who in a difficult, dark time created a work of creative compositional virtuosity and a relaxed sense of humor, a story of people longing for rest or who lose themselves in busyness. This will be director Jan Philipp Gloger’s debut and it will be Christian Thielemann’s first new production as general music director, a position once held by Strauss himself.

Die schweigsame Frau

In a villa by the sea in a summer resort, where Figaro is on holiday, emotions run high, old grudges are settled, and intrigues spun. At the end of this "great day", however, there is forgiveness. Once again, love triumphs and everyone is happy – the Count and Countess, Figaro and Susanna, Bartolo and Marcellina, and even Cherubino, who had hitherto stirred everything up.

The Marriage of Figaro

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