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In 1995, the music press was shaken up: Thomas Adès, just 24 years old, had brought the opera "Powder her Face" to the stage, which satirically describes the extravagant, dissolute life of an upper-class lady. Adès established a musical style that effortlessly alternates between avant-garde and ironically broken quotations from older works, while at the same time combining catchiness with great imagination. Sergei Rachmaninoff's "Symphonic Dances...
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1 dates (4 Jun - 4 Jun)
Jun
4
Wed
7:00 pm
Museum Ludwig
Tickets available
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