Cambreling – Takemitsu, Mozart, Dvořák, Shchedrin

»My music is something like a signal into the unknown. What's more, I imagine and believe that my signal meets other signals and that the resulting physical changes create a new harmony.« The two »Signals« by the Japanese autodidact Tōru Takemitsu (both commissioned in 1987) are characterized by the alternation of question and answer, similar to the model of early Venetian church music. And so the wind ensemble is spatially separated from one ano...