Staatstheater Mainz presents a diverse lineup of theatrical performances that transport audiences through a world of creativity and storytelling. From the legendary Rudi Carrell's life journey and Greek mythology's most beautiful woman to the whimsical adventures of a little witch, each show offers a unique artistic experience. As the stage brings to life tales from the past, present, and imagined futures, audiences are invited to connect with stories that resonate across cultures and time. Dive into an exploration of captivating narratives, intricate characters, and unforgettable performances.

From Stage to Myth: A Journey Through Staatstheater Mainz's Captivating Performances

The Staatstheater Mainz presents an enthralling lineup of plays and musicals, each unraveling intriguing narratives and showcasing the talents of diverse performers. From Rudi Carrell's ironic reflection on showmanship to the whimsical world of 'The Neverending Story', these performances promise rich storytelling and unforgettable experiences. Through these events, audiences are invited to explore cultural and historical themes, while enjoying the artistry of both classic and contemporary productions.

Diverse Dramas and Captivating Performances: A Journey Through German Theatre

Step into a world of artistic brilliance at the Staatstheater Mainz, where timeless tales and contemporary narratives come alive. From the enchanting operetta of 'The Beautiful Helena' to the gripping play 'The End of Eddy', each performance offers a unique exploration of human emotions and societal themes. Join us as we journey through captivating musicals, operas, plays, and ballets, showcasing the creativity and talent of remarkable performers and creators.

Staatstheater Mainz: Unveiling Timeless Tales and Modern Narratives

Staatstheater Mainz's upcoming season promises an eclectic mix of storytelling and performance art that delves into timeless myths, modern dilemmas, and riveting dramas. From the legendary tales of Greek mythology in 'The Beautiful Helena' to the poignant journey of identity in 'The End of Eddy', each event offers a unique exploration of human experience and cultural heritage. Join us as we delve deep into the narratives, performances, and themes that make this season at Staatstheater Mainz a must-see for any theater enthusiast.

Cultural Odyssey: A Dive into Staatstheater Mainz's Diverse Theatrical Line-Up

Iris Atzwanger

Leandra Enders

Armin Dillenberger

Holger Kraft

Carl Grübel

Johannes Schmidt

Benjamin Kaygun

David  T. Meyer

Inda Buschmann

Caroline Stauch

Lucia Kramer

Nadja Klinge

Staatstheater Mainz

Viola is separated from her brother Sebastian in a shipwreck and comes ashore in Illyria. Here, disguised as a page, she decides to enter the service of Duke Orsino under the name Cesario. The Duke takes a liking to the young nobleman and sends him as a messenger to Olivia, whom he adores. Viola, who has fallen in love with the Duke, suffers under these errands. To her delight, Olivia rejects Orsino's advances, as she has sworn to mourn her deceased brother for seven years – but then falls in love with the supposed youth Cesario. This leads to turbulent complications, which are further exacerbated by the appearance of Sebastian, who was also rescued in the shipwreck and who bears a striking resemblance to Viola. A melancholic jester accompanies the numerous amorous adventures and the pranks of the colorful group surrounding Squire Tobias with his wisdom. He also participates in a prank played by Tobias and his lady-in-waiting, Maria, on the snooty steward Malvolio: They trick him into believing Olivia loves him, whereupon he makes such a fool of himself that Olivia thinks he's crazy. He is imprisoned and, deeply offended, plots revenge...

What you want

Princess Turandot never wants to belong to a man. To deter her suitors, she has passed a cruel law: anyone who wishes to marry her must first solve three riddles. If they fail, they are executed. Countless men have already met their deaths this way. Nevertheless, Prince Calaf feels attracted to Turandot. Ignoring the urgent warnings of his father and Liù, who loves him selflessly, he faces the riddles – and succeeds in solving them! But instead of taking Turandot as his wife against her will, he now gives her a riddle of his own…

Turandot

Uli and Svenja are actually working together on an encyclopedia about forest creatures. But while Uli carefully tries to gather photos and factual information, Svenja suddenly questions all the truths she thought were certain. And then she also claims to have seen an incredible animal in the moor, so incredible that it defies description. Is that possible? Uli wants to see it with her own eyes. But suddenly, completely different mysterious things start happening, and the moor itself transforms into a magical labyrinth in which everyone is stuck together. Will they succeed in freeing themselves?

The encyclopedia for everything (UA)

Bastian Balthasar Bux is a completely normal boy, or at least that's what he always thought... until one day his whole life changed.

The Neverending Story

The Cat in the Hat ends up in Stackeln an der Kruke by chance. She moves into an old, empty house where the grumpy brewery director Maulwisch spent his unhappy childhood. The cat promises to make the house a thoroughly happy place. But that's impossible on her own – so little by little she takes in a bunch of homeless people, orphans, and oddballs: Marianne the Dudelhuhn, Captain Knaak, the Zappergeck, Baby Hübner the musical pig, the Stolpervogel, and the Erbsenstein brothers. Together they turn the house completely upside down and open the doors to happiness. But with so many protégés, there's naturally no money left for the rent. Brewery director Maulwisch immediately makes a fuss!

Cat with hat

Gerda and Kay are best friends. But when Kay gets a splinter in his eye, everything suddenly changes. He finds Gerda and his other friends annoying and boring and follows the alluring voice of the icy-beautiful Snow Queen. Gerda sets out to find her friend – and finds herself: In the mysterious and shrill realm of the Flower Queen, at the golden court of a lovesick prince and princess, and in the dangerous and harsh world of the Robber Queen, she learns to stand up for herself and her friends. With the help of the crow and the reindeer, she ultimately discovers her way and, with the true power of friendship – laughter – is able to free Kay from the Snow Queen's cold hands.

The Snow Queen

When his parents go dancing on Saturday nights, ten-year-old Anton Bohnsack settles in at home with his favorite books. He loves reading vampire stories—the scarier, the better. But when a real vampire suddenly appears on his windowsill one evening, it gives him a real fright. It's a good thing this little bloodsucker, Rüdiger von Schlotterstein, and his younger sister, Anna the Toothless, are more interested in friendship than in Anton's blood. If only it weren't for the adults! Human children should probably stay hidden from Rüdiger's relatives. Anton's parents don't really believe in vampires, but they're determined to invite their son's strange new friends over for cake. And then there's the nasty Geiermeier, who wants to make the cemetery vampire-free...

The Little Vampire

The popular version of the biblical proverb "Whoever enters danger will fall in it" (Sirach 3:26) is reflected in the saying "He who walks in danger will perish in it." And indeed, art often carries a touch of risk for those involved. Whether with a safety net or a false bottom, whether authentic or merely illusionistic – every true piece of art requires transcending boundaries and carries the risk of falling and failure. This is where the dancers are called upon, not as gamblers addicted to thrills and the ultimate adrenaline rush, but rather in their professionalism, their mutual trust, and their vulnerability. Gravity takes us into the wonderful world of their "risk space."

Gravity (UA)

Angry over the sharp rise in food prices, Antonia and Margherita decide to raid the supermarket. At home, they hide the goods from their equally unsuspecting yet law-abiding husbands. When the police begin searching their apartments, things get tense. A rapid-fire game of confusion ensues, and a socially critical farce unfolds, featuring exploding inflation rates, economic crises, and political lies.

There is no payment!

Marie receives a nutcracker on Christmas Eve. She loves it from the very first moment. At night, she even dreams of the beautiful gift: Large mice scurry through the room,and with a rumble, the Christmas tree begins to grow. Finally, the nutcracker comes to life. Together with it, Marie enters the land of sweets, and a journey into wondrous worlds begins...

The Nutcracker

Experience a festive Christmas program full of sonic splendor! The State Orchestra brings musical stories about puppets and a snowman to life. Touching, inspiring, and surprising – like the perfect Christmas gift for the whole family!

Christmas concert

Engelbert Humperdinck was actually only supposed to set to music a few passages from the fairytale play Hansel and Gretel , which his sister Adelheid Wette had written for a family performance. However, on the enthusiastic advice of his relatives, the small project developed first into a singspiel and finally into a full-length opera about the story of the siblings Hansel and Gretel. Growing up in poverty, their mother sends them into the forest to pick berries out of necessity. There they meet not only the Sand Men and the Dew Men, but also the witch who has sent shivers down the spines of countless children.

Hansel and Gretel

Bastian Balthasar Bux is a completely normal boy, or at least that's what he always thought... until one day his whole life changed.
Teased and laughed at by his classmates, he takes refuge after school in Karl Konrad Koreander's antiquarian bookshop. There he discovers a mysterious book entitled
The Neverending Story , which immediately captivates him. As he begins to read, reality around him seems to blur and he is immersed in the
magical realm of Phantásien, which is threatened by "Nothingness". There he learns about the Childlike Empress, who is terminally ill, about the heroic Atreyu, and about Auryn, the symbol of power and wisdom. He also learns that all of Phantásien's hope rests on the shoulders of the young warrior Atreyu, who is to search for a human child. The further he reads, the more Bastian seems to become a part of the story. Is he the one Atreyu is looking for and who holds the fate of this magical world in his hands? That can't be true, he of all people is supposed to be a hero?

The Neverending Story

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