Name: TECTONICS: Bénédicte Davin & Baudouin Oosterlynck
Start: 2025-05-04T17:40:00
Location: The Old Fruitmarket

Bénédicte Davin

BBC Scottish Symphony Orchestra

Steve Reich’s music is made of movement. Patterns shift, collide, and reform. The smallest rhythm grows into something vast. A single chord can shimmer like glass.

In Three Movements, the music constantly moves and turns. Repeating figures stretch and ripple until you lose track of where the downbeat lands. Variations for Winds, Strings and Keyboards is a kaleidoscope of colour. Chords slide past one another, glowing one moment, dissolving the next.

Electric Counterpoint, written for both pre-recorded and live guitars, turns repetition into a trance. With Bryce Dessner at its heart, expect a sound both mechanical and deeply human. Then The Four Sections pulls the whole orchestra into Reich’s pulsing universe – strings, winds, brass and percussion stacked into layers that vibrate with raw power.

Steve Reich at 90: The Four Sections

The Glasshouse International Centre for Music

Vocalist and visual artist Bénédicte Davin reimagines two meditative works by Belgian sound artist Baudouin Oosterlynck, blending soundtrack and live voice. In Ronron (1976), Davin’s voice intertwines delicately with eerie, resonant tones created with rattan sliding over piano strings. In Résonances (1978), Oosterlynck originally improvised vocal responses to the reverberations of a gymnasium with a resonance similar to a Romanesque church. Davin’s performance engages these echoes, alternating between counterpoint and harmony, creating an intimate and immersive listening experience.