Name: Bergischer Brahms
Start: 2026-05-31T11:00:00
Location: Wallraf-Richartz Museum

The Gürzenich Orchestra Cologne is set to present an eclectic lineup of ten events from February to May 2026, showcasing chamber music, choral, and orchestral marvels. Featuring compositions from musical luminaries like Beethoven, Brahms, and Holst, as well as contemporary works by Ligeti and Adès, this series promises an auditory feast. With performances held in iconic venues like the Cologne Philharmonie and Wallraf-Richartz Museum, audiences will be treated to exceptional artistry by a roster of talented musicians and conductors.

Gürzenich Orchestra Cologne's 2026 Lineup: A Sonic Journey Through Time and Space

The Gürzenich Orchestra Cologne invites you on a mesmerizing journey into the world of celestial and human wonders through their captivating performances. Their upcoming events feature a range of genres including choral, chamber music, and orchestral. Together with renowned artists like Renaud Capuçon and André Orozco-Estrada, the orchestra promises to deliver unforgettable experiences. From the cosmic sounds of 'The Planets' by Gustav Holst to the emotional depths of Brahms's 'A German Requiem', each performance offers a unique narrative woven through music.

Galactic Harmonies: A Journey Through the Captivating Performances by Gürzenich Orchestra Cologne

Jee-Hye Bae

Nathan Braude

Kaoru Oe

Mischa Pfeiffer

Michael Bosch

Miyeon Lee

Gürzenich-Orchester Köln

Chaos, whistles, angry heckles, and even physical altercations: When Igor Stravinsky's ballet The Rite of Spring premiered in Paris in 1913, the audience was outraged by a real scandal. What music, pounding, orgiastic, of almost obscene sensuality! And then there was the subject matter: a pagan ritual celebrating spring and fertility, including the sacrifice of a virgin. Shocking! Often, however, it is precisely the most heated waves that calm down particularly quickly. 

Scandal

Cologne Philharmonie

Lust and desire, gracefulness and abandon, seduction and catastrophe: anyone who gets close to Lulu, who succumbs to the undertow of her charisma, is doomed to die. She seems innocent yet dangerous, an angel and a monster rolled into one. A woman portrayed with almost painfully realistic brushstrokes who is also a projection screen for subconscious fantasies and abysses. Lulu balks at nothing, and all her encounters are fatal – for those she meets. In the end, she herself has fallen, working as a prostitute whose last customer is the serial killer Jack the Ripper … Lulu is Alban Berg’s second opera. In 1928, he began composing it, but interrupted work multiple times, ultimately failing to complete the monumental project: in 1935, his death put a stop to his efforts, and Lulu remained a fragment. Based on texts by Frank Wedekind, the opera is one of the most important works of 20th-century musical drama, and the first to employ twelve-tone technique throughout. Its strict formal construction, however, is always in service to dramatic expression and the uncommonly subtle, colourful characterization of each of the numerous characters on stage – this is one of the secrets behind the success of this masterwork, so influential for 20th-century music.

Sakari Oramo and an exquisite ensemble of soloists take the gripping rollercoaster ride between beauty and feverish nightmares.

Bergischer Brahms

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