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A stunning cadenza opens Saint-Saëns's Second Concerto , like a wild, improvised gesture that spans the entire keyboard—and that's just the beginning. Liszt congratulated Saint-Saëns on this brilliant piece, "beginning with Bach and ending with Offenbach," one listener enthused. "The concerto solo is a role that must be conceived and rendered like a dramatic character," Saint-Saëns confided. Marie-Ange Nguci makes it her own, before the tragedy a...
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1 dates (31 Oct - 31 Oct)
Oct
31
Fri
8:00 pm
Maison de la Radio et de la Musique
Paris, France
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